SAHMAT
| Safdar Hashmi | |
|---|---|
| Born |
12 April 1954 Delhi, India |
| Died | 2 January 1989 (aged 34) Ghaziabad, India |
| Occupation | Author, Street theatre, Activist |
| Nationality | Indian |
| Period | 1973–1989 |
| Relatives | Moloyshree Hashmi (Wife) |
Safdar Hashmi (12 April 1954 – 2 January 1989) was a communist playwright and director, best known for his work with street theatre in India. He was also an actor, lyricist, and theorist, and he is still considered an important voice in Indian political theatre.
He was a founding member of Jana Natya Manch (People's Theatre Front; JANAM for short) in 1973, which grew out of the Indian People's Theatre Association (IPTA). He was murdered in 1989 in Jhandapur, while performing a street play, Halla Bol.
Safdar Hashmi was born on 12 April 1954 in Delhi, to Haneef and Qamar Azad Hashmi. He spent the early part of his life in Delhi and Aligarh, where he grew up in a liberal Marxist environment, and went on to complete his schooling in Delhi. Actress Saba Azad is his niece.
Hashmi graduated from St. Stephen's College, Delhi with a degree in English Literature, and went on to complete his M.A. in English from Delhi University. During this period, he became associated with the cultural unit of the Students' Federation of India, the student wing of the Communist Party of India (Marxist), and eventually with the Indian People's Theatre Association (IPTA). In the years before and after his graduation, he worked on several plays with IPTA, such as Kimlesh, and Dekhte Lena.
Hashmi co-founded the Jana Natya Manch (People's Theatre Front), with the acronym JANAM ("birth" in Hindi), in 1973. JANAM grew out of the Indian People's Theatre Association (IPTA) and was associated with the Communist Party of India (Marxist), with which he was actively involved in the 1970s. When Indian Prime Minister Indira Gandhi was accused of rigging the elections, he produced a street play, Kursi, Kursi, Kursi (Chair, Chair, Chair), as a reaction to the controversy. The play narrates the story of a king whose throne moves with him when he attempts to give it up in favour of an elected representative. The play was performed every day for a week, at the Boat Club Lawns in New Delhi, then a hub of political activity. It proved to be a turning point for JANAM.
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