Roscoe Mitchell Quartet
| Roscoe Mitchell Quartet | ||||
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| Live album by Roscoe Mitchell | ||||
| Released | 1976 | |||
| Recorded | October 4 & 5, 1975 | |||
| Venue | A Space, Toronto | |||
| Genre | Jazz | |||
| Length | 42:13 63:45 (Delmark reissue) |
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| Label | Sackville | |||
| Producer | Onari Productions | |||
| Roscoe Mitchell chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| The Rolling Stone Jazz Record Guide | |
Roscoe Mitchell Quartet is an album by American jazz saxophonist Roscoe Mitchell recorded in 1975 and released on the Canadian Sackville label.
The album documents a two nights performance promoted by saxophonist and journalist Bill Smith, co-founder of Sackville Records, at A Space, an artist-run gallery in downtown Toronto. The quartet is a chamber-like ensemble composed of Mitchell, pianist Muhal Richard Abrams, co-founder of the AACM, trombonist George Lewis, a 23-year-old in his debut recording, and Detroit-native guitarist Spencer Barefield.
Mitchell is strongly associated with the influence of "classical" avant-garde, both European and American. If the Art Ensemble of Chicago formed a key part of Mitchell's expression, this band and later versions of their Sound Ensemble would permite him to emphasize the purely sonic interest of his earlier work.
Mitchell recorded the piece "Tnoona" previously with the Art Ensemble of Chicago in 1973 for the Fanfare for the Warriors album, where Abrams was also present. "Music For Trombone & B Flat Soprano" is a duo credited to Lewis. "Cards", a piece in which each player is given six cards with musical notation that can be arranged in any order and any tempo, demonstrates Mitchell's interest in chance procedures and the radical dismantling of form in the manner of John Cage. "Olobo" is performed as a trombone solo by Lewis.
In 2013 Delmark Records, which purchased the catalog of the Sackville label, reissued the album under the title Live at "A Space" 1975 augmented with 20 minutes of previously unissued material. The four bonus tracks include a reading of John Coltrane's classic ballad Naima with an extensive prelude, and a short ensemble version of his signature piece "Nonaah", which Mitchell originally wrote as a solo saxophone before the Art Ensemble played it also for Fanfare for the Warriors.
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