Ron Rice

Ron Rice (born Charles Ronald Rice: 1935 in New York City – 1964 in Acapulco, Mexico) was an American experimental filmmaker, whose free-form style influenced experimental filmmakers in New York and California during the early 1960s.

Rice twice collaborated with future Warhol star Taylor Mead, including Rice's first and best-known film, The Flower Thief (1960). Created in 1959 for less than $1,000, it used World War II aerial gunnery 16mm film cartridges donated to Rice by Hollywood producer Sam Katzman. In 1962, it was seen by a large New York audience as a selection of Amos Vogel's Cinema 16.

Rice commented on his inventive approach:

In 2005, after muffled dialogue was restored by the Anthology Film Archives, Ed Halter reviewed the film for the Village Voice:

The 28-minute Senseless print was silent, but it played at New York's Charles Theater with Béla Bartók music. This was not planned; it just happened to be one of the few LP records in the projection booth. Each showing was slightly different since the record was never synched with the start of the film at the same place. Cary Collins provided background on the production:

"The film describes, poetically, a way of living. The film is a protest which is violent, childish, and sincere—a protest against an industrial world based on the cycle of production and consumption." —Alberto Moravia, L'espresso

Rice also worked with underground filmmaker Jack Smith, who appears in Queen of Sheba Meets the Atom Man with Taylor Mead, and in Chumlum. Rice was inspired to make Chumlum while working with Smith on the props for Smith's Normal Love. Chumlum also stars Mario Montez, who appeared in both of Smith's films, as well as several of Andy Warhol's films. Warhol superstar Gerard Malanga also has a role in Chumlum.

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