Rolinda Sharples

Rolinda Sharples
Self-portrait by Rolinda Sharples, with her mother, Ellen, in the background
Born	1793 Bath, England
Died	1838 Bristol
Nationality	English
Known for	Painting,
Notable work	The Cloak Room, Clifton Assembly Rooms c 1817-18, The Stoppage of the Bank, 1831
Movement	Portrait, Genre, History

Rolinda Sharples (1793–1838) was an English painter who specialized in portraits and genre paintings in oil. She exhibited at the Royal Academy and at the Society of British Artists, where she became an honorary member.

Rolinda Sharples was born into a family of artists headed by James Sharples, her father, and Ellen Sharples, her mother who had studied under her husband and continued to assist James in his studio after their marriage. Ellen Sharples not only made copies of her husband's better known compositions but she additionally received requests for her own work. Rolinda's three brothers also pursued careers in art. They were: George, from her father's first marriage; Felix, from his second marriage; and James Jr., who was Rolinda's full brother and son to Ellen, James's third wife. She was only an infant when her parents moved to America in 1794. In 1803, Rolinda's mother, a miniature portrait painter, began to encourage her daughter to take an interest in the profession. She taught Rolinda drawing, paying her small sums of money to encourage her. By the time Rolinda was 13 years old, the teenager had joined the family business, which consisted of creating small scale pastel portraits of famous people and copying them and selling them for a profit. Along with her two brothers and mother, she began copying miniature portraits from her father's original paintings.

After her father's death in New York in 1811, Rolinda returned to Bristol with her mother and brother. She branched out from painting small portraits, earning her living painting portraits in oil, and more ambitious genre and contemporary history paintings that depicted groups of people. During this time, her mother Ellen's diaries shifted their focus to Rolinda's progress as an artist. In 1812, Ellen wrote of her daughter:"Rolinda commenced oil painting on the 21, & has since applied with great ardour, continuing other studies, & having lessons in music, practising &c." Soon thereafter in 1813, Ellen notes that she "sat for my picture to Rolinda in oil colours as large as life, kit kat size, the first portrait she painted in oil." Rolinda painted her mother several times. At the end of 1813, she painted a large as life portrait, having, as her mother observed, "much improved in painting and become discontented with the portrait executed in Jan. 7." In 1814, Rolinda painted a self-portrait, and in 1815 she completed a double portrait entitled The Artist and Her Mother, which can be seen on this page.

Rolinda was elected an honorary member of the Society of British Artists in 1827. Rolinda was one of the first female British artists to tackle multi-figure compositions. Her group paintings were as meticulous in detail as the small portraits she once painted, and today her scenes of Regency Bristol are considered to be accurate social records of the period. Her major paintings include The Cloak Room, Clifton Assembly Rooms; Racing on the Downs; Rownham Ferry with Portraits; The Stoppage of the Bank; and The Trial of Colonel Brereton after the Bristol Riots of 1831. Rolinda also painted smaller, more intimate studies from nature - of shells, or of a little mouse - which she exhibited.