Roland Kirk
| Rahsaan Roland Kirk | |
|---|---|
 |
|
| Background information | |
| Birth name | Ronald Theodore Kirk |
| Born |
August 7, 1935 Columbus, Ohio, United States |
| Died | December 5, 1977 (aged 42) Bloomington, Indiana, United States |
| Genres |
Jazz Hard-bop Soul jazz Post-bop Avant-garde jazz Mainstream jazz |
| Occupation(s) | Saxophonist, flutist, composer, arranger, bandleader |
| Instruments | Tenor saxophone, clarinet, stritch, manzello, nose flute, flute, cor anglais, keyboards, percussion |
| Years active | 1955–1977 |
| Labels | King, Chess, Prestige, Mercury, Limelight, Verve, Atlantic, Warner Bros. |
| Associated acts | Charles Mingus, Quincy Jones |
| Notable instruments | |
| nasal flute | |
Rahsaan Roland Kirk (August 7, 1935 – December 5, 1977) was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously.
Kirk was born Ronald Theodore Kirk in Columbus, Ohio, where he lived in a neighborhood known as Flytown. He felt compelled by a dream to transpose two letters in his first name to make Roland. He became blind at an early age as a result of poor medical treatment. In 1970, Kirk added "Rahsaan" to his name after hearing it in a dream.
Kirk's musical career spans from 1955 until his death in 1977. He preferred to lead his own bands and rarely performed as a sideman, although he did record with arranger Quincy Jones and drummer Roy Haynes and had notable stints with bassist Charles Mingus. One of his best-known recorded performances is the lead flute and solo on Jones' "Soul Bossa Nova", a 1964 hit song repopularized in the Austin Powers films (Jones 1964; McLeod et al. 1997).
Kirk was politically outspoken. During his concerts, between songs he often talked about topical issues, including African-American history and the Civil Rights Movement. His monologues were often laced with satire and absurdist humor. According to comedian Jay Leno, when Leno toured with Kirk as Kirk's opening act, Kirk would introduce him by saying, "I want to introduce a young brother who knows the black experience and knows all about the white devils .... Please welcome Jay Leno!"
In 1975, Kirk suffered a major stroke which led to partial paralysis of one side of his body. He continued to perform and record, modifying his instruments to enable him to play with one arm. At a live performance at Ronnie Scott's Jazz Club in London he even managed to play two instruments, and carried on to tour internationally and to appear on television.
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