Rodolfo Nieto
| Rodolfo Nieto | |
|---|---|
| Born |
Rodolfo Nieto Labastida July 13, 1936 Oaxaca, Oaxaca |
| Died | 24 June 1985 (aged 48) Mexico City |
| Nationality |  |
| Education | "La Esmeralda" |
| Notable work | Man with Bottel |
| Spouse(s) | Nancy Glenn-Nieto |
| Awards | Biennale de Paris 1963 for new artist and in 1967 for painting |
| Website | RodolfoNieto.com |
| Patron(s) | Bernard Semiatisky |
Rodolfo Nieto Labastida (July 13, 1936 in Oaxaca – June 24, 1985 in Mexico City) was a Mexican painter of the Oaxacan School (apprenticed under Diego Rivera, later served him as an assistant).
Rodolfo Nieto was born at home in Oaxaca on July 13, 1936. His father Rodolfo Nieto Gris, a medical epidemiologist, left the home mysteriously around 1949. After his disappearance, the family became destitute; his mother, Josefina Labastida de Nieto, a homemaker and seamstress, moved to Mexico City with Rodolfo, his younger brother Carlos Nieto, a poet—who was later murdered due to his political associations—after Rodolfo died, formed a new family with half brother Ignacio Saucedo. While Rodolfo attended public school, the art professor and dancer Santos Balmori on behalf of the Mexican Government, interviewed students for the Mexican folklorico. After Rodolfo auditioned, Balmori asked the teenager if he could do anything else. Rodolfo sketched a cat. The professor was impressed and asked him if he would like to participate in painting the scenery for the folklorico. It was Balmori who encouraged Rodolfo to begin his studies in 1954 at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", Mexico City, where he studied with Carlos Orozco Romero and met Juan Soriano, who introduced him to books on European painting. In 1959, he had his first solo exhibition at the Galerías San Carlos.
Desiring to broaden his artistic influences, Nieto moved to Paris in the early 1960s. Here he became friends with artists such as Julio Cortázar, Severo Toledo and José Bianco. He worked at the Atelier 17 with Stanley William Hayter and his discovery of the work of Edvard Munch spurred an interest in wood engraving. He also worked at the lithography workshop of Michael Casse for German publisher Manus Press. In Paris away from his indigenous environment, Nieto began to re-think folk art from his native Oaxaca mainly focusing on the brightly painted hand-carved wooden animals known as alebrijes. He combined the alebrijes with the Burne Hogarth’s Tarzan comic strip stories of his childhood. Nieto wrote: “To Burne Hogarth I dedicate, in memory of the Tarzan stories of my childhood, the series of animals I drew while I was in Switzerland, likewise the xylographs I created in Munich and Paris.”1 Mentally Nieto took apart the structural aspect of the alebrijes and reconstructed them with the whimsy and wonderment of the Tarzan stories. This resulted not only in the Bestiario series of drawing and wood block prints, but established a style of painting that is now incorporated into the Oaxacan School. While in Paris, Nieto won the Biennale de Paris Prize for painting in 1963. He again won the Biennale de Paris Prize for painting in 1968. In 1966, Rodolfo Nieto illustrated “Manuel de zoologie fantastique” by Jorge Luis Borges. Nieto won the Bienal of Caen in 1970 and the Bienal de Menton. He returned to Mexico in 1972, stating that indigenous spirits called "nahuales" were calling him home.
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