Roddy Doyle | |
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Born |
Dublin, Ireland |
8 May 1958
Occupation | Novelist, dramatist, short story writer, screenwriter, teacher |
Nationality | Irish |
Alma mater | University College Dublin (UCD) |
Subject | Working-class Dublin |
Notable works | The Barrytown Trilogy, Paddy Clarke Ha Ha Ha, The Woman Who Walked into Doors, The Giggler Treatment, A Star Called Henry |
Website | |
www |
Roddy Doyle (8 May 1958 is an Irish novelist, dramatist and screenwriter. He was the author of ten novels for adults, eight books for children, seven plays and screenplays, and dozens of short stories. Several of his books have been made into films, beginning with The Commitments in 1991. Doyle's work is set primarily in Ireland, especially working-class Dublin, and is notable for its heavy use of dialogue written in slang and Irish English dialect. Doyle was awarded the Booker Prize in 1993 for his novel Paddy Clarke Ha Ha Ha.
Doyle was born in Dublin and grew up in Kilbarrack, in a middle-class family. His mother, Ita Bolger Doyle, was a first cousin of the short story writer Maeve Brennan. Doyle graduated with a Bachelor of Arts degree from University College Dublin. He spent several years as an English and geography teacher before becoming a full-time writer in 1993. His personal notes and work books reside at the National Library of Ireland.
In addition to teaching, Doyle, along with Seán Love, established a creative writing centre, "Fighting Words", which opened in Dublin in January 2009. It was inspired by a visit to his friend Dave Eggers' 826 Valencia project in San Francisco. He has also engaged in local causes, including signing a petition supporting journalist Suzanne Breen, who faced gaol for refusing to divulge her sources in court, and joining a protest against an attempt by Dublin City Council to construct 9 ft-high barriers which would interfere with one of his favourite views.
Doyle is an atheist.
Doyle's writing is marked by heavy use of dialogue between characters, with little description or exposition. His work is largely set in Ireland, with a focus on the lives of working-class Dubliners. Themes range from domestic and personal concerns to larger questions of Irish history.