Robert Dick | |
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Background information | |
Born |
New York City, New York |
January 4, 1950
Genres | free improvisation, new jazz, classical contemporary |
Occupation(s) | flutist, composer, teacher, author |
Years active | 1973-present |
Labels | New World, Tzadik, Enja, NEMU, Mulatta |
Website | www |
Notable instruments | |
contrabass flute, bass flute is F and C, open-hole alto flute, flute, flute with Glissando Headjoint® and piccolo |
Robert Dick (born January 4, 1950) is a flutist, composer, teacher and author. His musical style is a mix of classical, world music, electronic and jazz,and he is the inventor of the "glissando headjoint," a custom flute head joint that allows the player to achieve electric guitar-like whammy bar effects with their instrument. In 2014, the National Flute Association awarded Dick its Lifetime Achievement Award. The New York Times said his “technical resources and imagination seem limitless" while JazzTimes called him “revolutionary.”
Robert Dick was born and raised in New York City. He began playing the flute in the fourth grade, after hearing the piccolo on the radio in the Top 40 hit “Rockin’ Robin. His primary teachers were Henry Zlotnik, James Pappoutsakis, Julius Baker and Thomas Nyfenger.
As a teenager, Dick wanted to become an orchestral flutist, and played first flute in the Senior Orchestra at the High School of Music and Art and also the New York All-City High School Orchestra. “Studies with him (Julius Baker) were geared toward becoming an orchestral player, and that was my dream at the time. But as I grew out of that dream, I realized that my training really hadn’t provided a look at music from the inside, which is what I needed—particularly the idea that music is generated from hearing within and recognizing what you are hearing.” He became a soloist and composer.
At Yale College, Dick earned a BA degree, and met Robert Morris, a composer and theorist, who mentored him as he wrote his first compositions. While at Yale, Dick wrote his first book: THE OTHER FLUTE: A Performance Manual of Contemporary Techniques, and then earned his master's degree in composition, studying with Morris as well as electronic music with Bulant Arel and Jacob Druckman.