Rob Bowman (filmmaker)
| Rob Bowman | |
|---|---|
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| Born |
Rob Stanton Bowman May 15, 1960 Wichita Falls, Texas, United States |
| Education | University of Utah |
| Known for | Filmmaking |
| Notable work | Star Trek: The Next Generation, The X-Files (TV series), The X-Files, Castle, Reign of Fire |
| Spouse(s) | Dusty Dawn Bowman (married October 5, 2006) |
Rob Stanton Bowman (/ˈboʊmən/; born May 15, 1960) is an American film director and producer. He grew up around film and television production, and developed an interest in the field because of the work of his father, director Chuck Bowman. Bowman is a prolific director for television, and has contributed to series such as Star Trek: The Next Generation, and The X-Files, for which he received four consecutive Emmy nominations as a producer. He is an executive producer and director for the comedy-drama Castle.
Bowman has directed four feature films: Airborne, The X-Files, Reign of Fire, and Elektra.
Bowman grew up around film and television production. His father, Chuck Bowman, is a filmmaker who became active in the industry when Rob was an adolescent. Bowman first became fascinated with the process of filmmaking when he saw The Wizard of Oz as a child. Growing up, he watched his father make commercials and documentaries, often acting as an assistant crew member. Bowman said that conversations with his father enabled him to see how the hard work of a filmmaking crew becomes invisible when the film is made. He said, "what remains are the emotions and the drama of the story and the characters. What remains is the magic."
In his late teens, he moved to Utah, where he became a "ski bum", and worked as a bartender. After writing, producing and directing a story for a film production class at the University of Utah, Bowman knew he wanted to be a filmmaker. "It became as clear to me as a Fourth of July fireworks display that was where my passion was," he said. Bowman moved to Los Angeles, and got a job at Stephen Cannell Productions, starting in the mail room. He took film classes, and studied film directors, developing a sense of his own personal style. He became fascinated with how each director used the same tools, but arrived at a unique aesthetic. He said, "I learned early on that to be successful as a director, you had to have your own signature. Otherwise, why hire one person over another?" He worked for Cannell for over two years, observing the production of over 400 hours of television. Around age 20, he wrote a mission statement for himself, committing himself to strive for excellence in filmmaking.
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