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Roadwork (album)

Roadwork
Roadwork cover.jpg
Live album by Edgar Winter's White Trash
Released March 1972
Genre Blues Rock
Length 66:14
Label Epic
Producer Rick Derringer
Edgar Winter's White Trash chronology
Edgar Winter's White Trash
(1971)Edgar Winter's White Trash1971
Roadwork
(1972)
They Only Come Out at Night
(1972)They Only Come Out at Night1972
Professional ratings
Review scores
Source Rating
Allmusic 4.5/5 stars

Roadwork is a live album by vocalist/keyboardist/saxophonist Edgar Winter and his band White Trash, a powerful revue famous for their fusion of funk, gospel, R&B, and rock 'n' roll. It was released as a double LP in 1972. Roadwork was the second of only three albums the band recorded together.

Highlights include Winter's vocals and virtuoso keyboard work, plus the guitar stylings of Rick Derringer. The longest track on the album was the band's own version of the John D. Loudermilk song, "Tobacco Road", which lasted over 17 minutes, taking up an entire side of the album. Derringer contributed lead vocals to "Still Alive and Well" and "Back in the USA", and Johnny Winter made a special appearance singing lead and playing guitar on "Rock and Roll, Hoochie Koo". Louisiana native Jerry LaCroix, who shared lead vocals with Winter in White Trash, is also prominently featured.

The album was recorded before live audiences at the Apollo Theater in New York City and in Los Angeles at the legendary Whisky a Go Go night club.

At the start of their appearance at the Apollo Theater, the host Frankie Crocker, a New York d.j. who introduced them, chided their evident late arrival saying (slightly off mic):

"Y'know, every time we used to go downtown to them jive jobs they give us, they always say 'black folks: late, can't be on time,' now look at the White Trash!" (chuckle)

The comment was met with laughter from the audience. After the introduction, the audience again broke out into sporadic laughter, and a loud gasp after seeing Edgar's albino complexion, possibly not expecting much from the band as it consisted of all white musicians, but their doubts were quickly dispelled when the band launched into "Cool Fool", a funky R&B song.


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