Retreat Through the Wet Wasteland

Retreat Through the Wet Wasteland
Theatrical poster for Retreat Through the Wet Wasteland (1973)
Directed by	Yukihiro Sawada
Written by	Kazuhiko Hasegawa
Starring	Yuri Yamashina Takeo Chii
Music by	Mio Tama
Cinematography	Yoshihiro Yamazaki
Edited by	Shinya Inoue
Distributed by	Nikkatsu
Release date	June 23, 1973
Running time	73 min.
Country	Japan
Language	Japanese

Retreat Through the Wet Wasteland (濡れた荒野を走れ, Nureta koya o hashire^?) is a 1973 Japanese film in Nikkatsu's Roman porno series, directed by Yukihiro Sawada and starring Yuri Yamashina and Takeo Chii.

A group of five policemen engages in all sorts of corrupt activity including the rape of a girl resulting in her death. They rob a church of funds intended to go to Vietnamese refugees. During the investigation of the robbery, they use their position to frame a local teenage gang.

Nikkatsu, still in the early stages of the difficulties associated with the trial over Love Hunter (1972), was reluctant to release a film about police brutality and corruption. The high-profile staff was able to convince the executives to green-light the production, but made one compromise with the title. The addition of the word "Wet" made the film sound more like a typical Roman Porno sex film than one that dealt with serious social issues. The media controversy over the film, as well as a condemnation from a Minister of Internal Affairs only served as free publicity for the film, and it became an immediate box-office hit. The film's influence went beyond the pink film genre. Many Japanese critics claim the film noir-style anti-hero in Japanese cinema—represented in films ranging from Kinji Fukasaku's Graveyard of Honor (1975) to the films of Takeshi Kitano—had its origins in Retreat Through the Wet Wasteland.

Director Yukihiro Sawada was known for his efforts in attempting to elevate Nikkatsu's Roman Porno films above their pink film origins, such as in his previous Sex Hunter: Wet Target (1972) and later Assault! (1976). He was particularly known for bringing social issues to the pink film, such as violence, racial prejudice and police corruption. Later in his career he brought the thriller genre into his Roman Pornos. Screenwriter Kazuhiko Hasegawa went on to direct the acclaimed The Man who Stole the Sun (1979).