Renaud | |
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Renaud in 2016.
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Background information | |
Birth name | Renaud Pierre Manuel Séchan |
Born |
Paris |
11 May 1952
Origin | Paris |
Genres | Chanson, Country, Pop, Rock |
Occupation(s) | singer, songwriter, actor |
Instruments | Guitar |
Years active | 1975–present |
Labels |
Polydor (1975–1983) Virgin |
Website | www |
Renaud Pierre Manuel Séchan, known as Renaud (French: [ʁəno]; born 11 May 1952), is a popular French singer, songwriter and actor. His characteristically 'broken' voice makes for a very distinctive vocal style. Several of his songs are popular classics in France, including the sea tale "Dès que le vent soufflera", the irreverent "Laisse béton", the ballad "Morgane de toi" and the nostalgic "Mistral gagnant". However, with the exception of a recording of "Miss Maggie" in English and a franglais recording of "It is not because you are", his work is almost unknown outside the French-speaking world.
Fresh out of school, Renaud was determined to become an actor. By chance he met the actor Patrick Dewaere and was invited to join the company of the comedy theatre Café de la Gare, which had recently been founded by Patrick Dewaere, Coluche, and Miou-Miou.
His early work is characterized by a volatile temperament, innovative use of French, and edgy, dark, leftist social and political themes. Raised in an educated milieu, the son of an intellectual, Renaud adopted the looks and attitude of working-class youth in the 1970s, and reflected this in his lyrics. A recurrent theme is his disgust for the average French person with petit-bourgeois preoccupations and right-wing leanings (see beauf). His music focuses on the disparity between classes, the abuse of political power, overbearing authority and disgust for the military and the police, with rare glimpses of tenderness for his fellow humans, the planet earth, and art.
In 1985, in a concert in Moscow, in what was an orchestrated gesture, roughly one third of the spectators upped and left the concert hall when he sang the anti-militarist "Déserteur". In the late 1980s and the 1990s, Renaud's work was distinguished by "softer" subjects such as his wife (later ex-wife) Dominique, his daughter Lolita and his friends, as well as the late comedian and singer Coluche for whom he wrote the tribute "Putain de camion" ("Bloody Lorry") after Coluche's death in a road accident. He has also ventured into regional music and language, such as the language of Marseille in La Belle de Mai, the north with Renaud cante el' Nord and even Corsican polyphonics in "Lolito lolita".