Rebec
The rebec in "Virgin among Virgins" (1509), by Gerard David.
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| String instrument | |
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| Classification | |
| Hornbostel–Sachs classification | 321.21-71 (Bowl lyre sounded by a bow) |
| Developed | Middle Ages |
| Related instruments | |
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced /ˈriːbɛk/ or /ˈrɛbɛk/) is a bowed stringed instrument of the Medieval era and Renaissance era. In its most common form, it has a narrow boat-shaped body and 1-5 strings. Played on the arm or under the chin, the technique and tuning may have influenced the development of the violin and the extended technique of bowed banjo.
Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is however evidence of the existence of bowed instruments in the 9th century in Eastern Europe. The Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or lūrā) as typical bowed instrument of the Byzantines and equivalent to the Arab rebab.
The rebec was adopted as a key instrument in Arab classical music and in Morocco it was used in the tradition of Arabo-Andalusian music, that had been kept alive by descendants of Muslims who left Spain as refugees following the Reconquista. The rebec also became a favourite instrument in the tea houses of the Ottoman Empire.
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Wikipedia