Professional ratings
Aggregate scores
Source	Rating
Metacritic	74/100
Review scores
Source	Rating
AllMusic
BBC	Very positive
The Guardian
Pitchfork	(7.3/10)
Rolling Stone
USA Today

Reality is the twenty-third studio album by David Bowie. It was released on 16 September 2003 on his Iso Records label, in conjunction with Columbia Records.

The album was recorded and produced in New York City's Looking Glass Studios and co-produced by Bowie and Tony Visconti. Consisting mostly of original compositions, the album also includes two cover songs, the Modern Lovers' "Pablo Picasso" and George Harrison's "Try Some, Buy Some". These two tracks were originally slated for Bowie's never-recorded Pin Ups 2 album from the early 1970s.

Bowie started writing the songs for Reality as the production for his previous album Heathen was wrapping up. Some songs he wrote quickly: "Fall Dog Bombs the Moon" was written in 30 minutes. Other songs, such as "Bring Me the Disco King", was a song Bowie had tried his hand at as early as the 1970s and had tried again with 1993's Black Tie White Noise as well as Heathen in 2002.

Bowie and Visconti produced both the stereo and 5.1 mix in the studio as the album was recorded.

On the album's title, Bowie said:

I feel that reality has become an abstract for so many people over the last 20 years. Things that they regarded as truths seem to have just melted away, and it's almost as if we're thinking post-philosophically now. There's nothing to rely on any more. No knowledge, only interpretation of those facts that we seem to be inundated with on a daily basis. Knowledge seems to have been left behind and there's a sense that we are adrift at sea. There's nothing more to hold on to, and of course political circumstances just push that boat further out.

A contemporary review of the album by the BBC called the album "a proper album, with a beginning, a middle and an end. It's direct, warm, emotional honest, even and the surfeit of pleasingly deceptive musical simplicity allows the irony of the central concept – that there is no such thing as reality anymore – an opportunity to filter through. It's also rather lively and convincing." The same review called this and his earlier album Earthling Bowie's "best album since Scary Monsters."

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Wikipedia