Black Tie White Noise | |||||
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Studio album by David Bowie | |||||
Released | 5 April 1993 | ||||
Recorded | June–July 1992 | ||||
Studio |
Mountain Studios, Montreux 38 Fresh Recordings, Los Angeles the Hit Factory, NYC |
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Genre | |||||
Length | 56:24 | ||||
Label | Savage | ||||
Producer | |||||
David Bowie chronology | |||||
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David Bowie video chronology | |||||
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Singles from Black Tie White Noise | |||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
BBC (2011) | positive |
Blender | |
Chicago Tribune | |
Entertainment Weekly | D |
Los Angeles Times | |
Robert Christgau | B– |
Rolling Stone (1993) | |
Trouser Press | unfavourable |
Developer(s) | ION |
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Initial release | 1994 |
Operating system | Windows, Macintosh |
Black Tie White Noise is the eighteenth studio album by David Bowie. Released in 1993, it was his first solo release in the 1990s after spending time with his hard rock band Tin Machine, retiring his old hits on his Sound+Vision Tour, and marrying supermodel Iman Abdulmajid. This album featured his old guitarist from the Ziggy Stardust era, Mick Ronson, who died of cancer later in the year. This album was inspired by his own wedding and includes tracks such as "The Wedding" and its reprise at the end of the album as a song reflecting the occasion.
The album is commonly viewed as the start of an artistic renaissance for Bowie, whose creative enthusiasm and career had suffered in the mid-to-late 1980s after a series of poorly received projects.
The album debuted at number one in the UK Albums Chart two weeks after its release, his last No. 1 UK album until The Next Day (2013).
Bowie reconnected with Nile Rodgers in New York after a 1991 concert with his band Tin Machine. Bowie had worked with Rodgers previously on the Let's Dance album in 1983. Bowie pointed out that he and Rodgers were not looking to do a rehash of their previous success. "If Nile and I wanted to do Let's Dance II, we would have done it years ago, when, perhaps, it would have made more sense. Working together again, we avoided falling into that trap at all costs." Nile Rodgers agreed, stating "Half the fun of working with David is that you never know what the fuck he's going to come up with." Of wanting to work together again, Bowie continued, "We both basically missed the same element, with what was happening with the new R&B, which is now hip-hop and house, and what we were missing was the strong melodic content that was apparent in the '60s. I wanted to see if we could establish a new kind of melodic form of house."
Rodgers described Bowie's attitude during the recording of this album as "a lot more relaxed this time than he was at the Let's Dance sessions, a hell of a lot more philosophical and just in a state of mind where his music was really, really making him happy." Overall Rodgers said the album took "one year, more or less" to record, a long time compared to Let's Dance's three weeks.