*** Welcome to piglix ***

Black Tie White Noise

Black Tie White Noise
Blacktiewhitenoise.jpg
Studio album by David Bowie
Released 5 April 1993 (1993-04-05)
Recorded June–July 1992
Studio Mountain Studios, Montreux
38 Fresh Recordings, Los Angeles
the Hit Factory, NYC
Genre
Length 56:24
Label Savage
Producer
David Bowie chronology
Never Let Me Down
(1987)
Black Tie White Noise
(1993)
The Buddha of Suburbia
(1993)
David Bowie video chronology
Bowie – The Video Collection
(1993)
Black Tie White Noise
(1993)
Best of Bowie
(2002)
Singles from Black Tie White Noise
  1. "Jump They Say"
    Released: 15 March 1993
  2. "Black Tie White Noise"
    Released: 31 May 1993
  3. "Miracle Goodnight"
    Released: 11 October 1993
Professional ratings
Review scores
Source Rating
AllMusic 2.5/5 stars
BBC (2011) positive
Blender 2/5 stars
Chicago Tribune 2.5/4 stars
Entertainment Weekly D
Los Angeles Times 3/4 stars
Robert Christgau B–
Rolling Stone (1993) 4/5 stars
Trouser Press unfavourable
Black Tie White Noise
The cover of the video collection, showing a 1993-era picture of David Bowie above his name and the title, "Black Tie White Noise" set on a black and white background
Original VHS Video Cover
Directed by David Mallet
Produced by Lana Topham & Paul Flattery
Starring David Bowie
Music by David Bowie
Edited by Lauren Harris
Production
company
BMG Video
Release date
1993
Running time
63 minutes
Jump – The David Bowie Interactive CD-ROM
Developer(s) ION
Initial release 1994
Operating system Windows, Macintosh

Black Tie White Noise is the eighteenth studio album by David Bowie. Released in 1993, it was his first solo release in the 1990s after spending time with his hard rock band Tin Machine, retiring his old hits on his Sound+Vision Tour, and marrying supermodel Iman Abdulmajid. This album featured his old guitarist from the Ziggy Stardust era, Mick Ronson, who died of cancer later in the year. This album was inspired by his own wedding and includes tracks such as "The Wedding" and its reprise at the end of the album as a song reflecting the occasion.

The album is commonly viewed as the start of an artistic renaissance for Bowie, whose creative enthusiasm and career had suffered in the mid-to-late 1980s after a series of poorly received projects.

The album debuted at number one in the UK Albums Chart two weeks after its release, his last No. 1 UK album until The Next Day (2013).

Bowie reconnected with Nile Rodgers in New York after a 1991 concert with his band Tin Machine. Bowie had worked with Rodgers previously on the Let's Dance album in 1983. Bowie pointed out that he and Rodgers were not looking to do a rehash of their previous success. "If Nile and I wanted to do Let's Dance II, we would have done it years ago, when, perhaps, it would have made more sense. Working together again, we avoided falling into that trap at all costs." Nile Rodgers agreed, stating "Half the fun of working with David is that you never know what the fuck he's going to come up with." Of wanting to work together again, Bowie continued, "We both basically missed the same element, with what was happening with the new R&B, which is now hip-hop and house, and what we were missing was the strong melodic content that was apparent in the '60s. I wanted to see if we could establish a new kind of melodic form of house."

Rodgers described Bowie's attitude during the recording of this album as "a lot more relaxed this time than he was at the Let's Dance sessions, a hell of a lot more philosophical and just in a state of mind where his music was really, really making him happy." Overall Rodgers said the album took "one year, more or less" to record, a long time compared to Let's Dance's three weeks.


...
Wikipedia

...