Raymond Grant, 11th Baron de Longueuil

Raymond David Grant 11th Baron de Longueuil
Shield of the coat of arms
Born	Raymond David Grant de Longueuil 1924 Sus, France
Died	6 October 2004(2004-10-06) (aged 79–80) Navarrenx, France
Occupation	Lieutenant, blood transfusion services, painter
Spouse(s)	Anne Maltby
Children	Michael
Parent(s)	Ronald Charles Grant and Ernestine Hester Maud Bowes-Lyon

Raymond David Grant, 11th Baron de Longueuil (1924–6 October 2004) was a nobleman possessing the only French colonial title to be officially recognized by the British Crown. For much of his life, he was a professional painter residing in France.

He was the son of Ronald Charles Grant and Ernestine Bowes-Lyon. His mother was a first cousin to the Queen Mother. The 11th Baron was therefore a second cousin to Queen Elizabeth II.

Raymond had one son, Michael Charles Grant (who inherited his title), and four grandchildren: Angela, Rachel, Rebecca and David.

He attended schools in Pau, and then Elizabeth College in Guernsey. With the outbreak of World War II, he came to Britain where he volunteered and became a Lieutenant in 1943. After the war, he returned to school, this time in Nottingham, England. He later went to Cambridge, England to study art, at first full-time and later in the evenings between his employment in the Cambridge-area blood transfusion services.

In 1953, he returned to Navarrenx in the South of France near the Pyrenees. He began his professional career as an artist, constantly entering competitions, exhibiting, and later permanent exhibitions in the town. He developed and matured distinctive styles, seeking the company of regional artists and accepting criticism. He spent most of his life as an artist, painting under the name of "Raymond de Longueuil", capturing the final years of traditional farming in the Bearn. His subjects ranged from the figurative, through still life and landscape to the abstract, and he had a constant need to develop and experiment. A deeply religious man, he was almost reclusive and fanatical about his creativity - characteristics which flowed into his art, diaries, and poetry.

This was not a life of privilege but of challenge. From both outside and inside, he was obsessed by creativity. Elements from his deep faith were frequently reflected in subtle motifs. Prior to his death in 2004, he had been working until two days before on a woodland scene, sketched out on his easel in his bedroom. Next to this was his light-box and an outline for a monoprint of The Shepherd leading his flock through mountains.