Raw Power | ||||
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Studio album by The Stooges | ||||
Released | February 7, 1973 | |||
Recorded | September 10–October 6, 1972 | |||
Studio | CBS Studios, Whitfield Street, London | |||
Genre | ||||
Length | 33:57 | |||
Label | Columbia | |||
Producer | ||||
The Stooges chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Chicago Tribune | |
Christgau's Record Guide | B+ |
Encyclopedia of Popular Music | |
Entertainment Weekly | A |
MusicHound Rock | 4.5/5 |
Q | |
The Rolling Stone Album Guide | |
Spin Alternative Record Guide | 9/10 |
The Village Voice | A− |
Raw Power is the third studio album by American rock band The Stooges (credited as "Iggy and the Stooges"). It was released on February 7, 1973, by Columbia Records.
Though not initially commercially successful, Raw Power gained a cult following in the years following its release and, like its predecessor (1970's Fun House), is generally considered an influential forerunner of punk rock.
After their first two albums, The Stooges (1969) and Fun House (1970) were released to little commercial success, The Stooges were in disarray: they had officially broken up, bassist Dave Alexander was fighting alcoholism, and singer Iggy Pop's heroin addiction was escalating prior to the intervention of David Bowie. Pop later recalled, "Very few people recognized the quality of the Stooges' songwriting, it was really meticulous. And to his credit, the only person I'd ever known of in print to notice it, among my peers of professional musicians, was Bowie. He noticed it right off." Pop relocated to London, having signed on as a solo artist to MainMan Management (who also handled Bowie) and Columbia Records. In London, Pop was to write and record an album with James Williamson, who had joined The Stooges as a second guitarist in late 1970. After they couldn't find a suitable English rhythm section, Williamson suggested that former Stooges Ron Asheton and Scott Asheton fly over and participate in the recording sessions. With Williamson already on guitar, Ron, the group's founding lead guitarist, was relegated to bass, while Scott took up his usual position behind the drum kit.