Randolph Silliman Bourne (May 30, 1886 – December 22, 1918) was a progressive writer and "leftist intellectual" born in Bloomfield, New Jersey, and a graduate of Columbia University. Bourne is best known for his essays, especially his unfinished work "The State," discovered after his death.
Bourne's face was deformed at birth by misused forceps, and, at age four, he suffered tuberculosis of the spine, resulting in stunted growth and a hunched back. He chronicled his experiences in his essay titled, "The Handicapped." Bourne's articles appeared in journals including The Seven Arts and The New Republic.
World War I divided American progressives, pitting an anti-war faction, including Bourne and Jane Addams, against a pro-war faction led by pragmatist philosopher and educational theorist John Dewey. Bourne was a student of Dewey at Columbia, but he rejected Dewey's idea of using the war to spread democracy. (He was a member of the Boar's Head Society.) In his pointedly titled 1917 essay "Twilight of Idols", he invoked the progressive pragmatism of Dewey's contemporary William James to argue that America was using democracy as an end to justify the war, but that democracy itself was never examined. Although initially following Dewey, he felt that Dewey had betrayed his democratic ideals by focusing only on the facade of a democratic government rather than on the ideas behind democracy that Dewey had once professed to respect.
Bourne was greatly influenced by Horace Kallen's 1915 essay "Democracy Versus the Melting-Pot" and argued, like Kallen, that Americanism ought not to be associated with Anglo-Saxonism. In his 1916 article "Trans-National America," Bourne argued that the US should accommodate immigrant cultures into a "cosmopolitan America," instead of forcing immigrants to assimilate to Anglophilic culture.