Ralph Hedley

Ralph Hedley (31 December 1848 – 14 June 1913) was a realist painter, woodcarver and illustrator, best known for his paintings portraying scenes of everyday life in the North East of England.

Born in Gilling West near Richmond, North Yorkshire, Ralph and his parents Richard and Anne Hedley moved to Newcastle upon Tyne around 1850, on the wave of industrial opportunity. Aged about 13, he was apprenticed to Thomas Tweedy in his carving workshops, simultaneously studying art and design at the 'Government school' in Newcastle, and attending evening classes at the Life School under William Bell Scott. At the age of 14 he was awarded a bronze medal by government's Department of Art and Science.

After concluding his apprenticeship, Hedley established a successful woodcarving business, whilst also producing lithographs for the local press and taking every opportunity to work as an artist. He had the first of many paintings, The Newsboy, accepted for exhibition at the Royal Academy in 1879. Joining with Henry Hetherington Emmerson and Robert Jobling, they founded the Bewick Club which encouraged and exhibited the work of the local artists of the North East, staging the first exhibition in 1884.

Examples of his wood carving work can be found in The Cathedral Church of St Nicholas, Newcastle, where, between 1882 and 1889, he and his workshop carved the choir and rood screen for the scheme by architect Robert James Johnson (1832-1892), commissioned when the Diocese of Newcastle was founded and Newcastle upon Tyne became a City. Other carving work can be seen in St Andrew's Church, Newcastle upon Tyne and many other North Eastern churches.

He was a member of the Royal Society of British Artists, and had more than fifty of his paintings displayed at the Royal Academy between 1879 and 1904. He became president of the Bewick Club and was Vice-President of the South Shields Art Club

Today, Hedley's paintings are appreciated for the record they provide of everyday life in Tyneside in the late 19th and early 20th centuries. Even at the time of Hedley's death in June 1913, the Newcastle Daily Chronicle recognised the value of his work, arguing that "What Burns did for the peasantry of Scotland with his pen, Ralph Hedley with his brush and palette had done for the Northumberland miner and labouring man.".

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