R. S. Gwynn
| Robert Samuel Gwynn | |
|---|---|
| Born |
May 13, 1948 Eden, North Carolina, U.S.A. |
| Education | University of Arkansas M.A. |
| Occupation | Poet |
| Spouse(s) | Donna (m. 1977) |
| Children | 3 |
Robert Samuel "Sam" Gwynn (born 1948, Eden, North Carolina) is an American poet and anthologist associated with New Formalism.
Gwynn is married and lives in Beaumont, Texas. He graduated from Davidson College in 1969, where he won the Vereen Bell Award for creative writing twice, played varsity football, and was a member of the school's championship team on the General Electric College Bowl. He did graduate work at Middlebury College's Bread Loaf School of English and later earned an M.A. and an M.F.A. from the University of Arkansas.
Gwynn's first full-length book, The Drive-in, won the Breakthrough Award of the University of Missouri Press in 1986. He has received the Michael Braude Award for Light Verse of the American Academy of Arts and Letters, served as an original faculty member of the West Chester University Conference on Form and Narrative in Poetry, and was included in the first significant anthology of New Formalism, Rebel Angels: Twenty-five Poets of the New Formalism (Story Line Press 1995). In 1997, Gwynn was selected as a University Professor at Lamar University, and he has been honored by Phi Kappa Phi. In September, 2015, he was appointed Program Director of the West Chester University Poetry Conference.
In his introduction to Gwynn's volume No Word of Farewell: Poems 1970-2000, Dana Gioia, poet and former chair of the National Endowment for the Arts, wrote, "[Gwynn] is ingeniously funny...[and] an effortless master of verse forms. No American poet of his generation has written better sonnets, and very few can equal him in the ballade, couplet, rondeau, or pantoum–not to mention the half dozen new forms he has invented"; further, according to Gioia, "Gwynn juxtaposes styles and subjects not customarily seen together–mythic and modish images phrased in language alternatively sublime and debased–but told with such force of imagination and assured musicality that the resulting poems seem not idiosyncratic but inevitable."
...
Wikipedia