Professional ratings
Review scores
Source	Rating
AllMusic
Chicago Tribune
Creem	C−
Encyclopedia of Popular Music
Pitchfork Media	7.9/10
PopMatters	7/10
Q
Record Collector
Rolling Stone
The Rolling Stone Album Guide

Queen II is the second studio album by the British rock band Queen, released on 8 March 1974. It was recorded at Trident Studios, London in August 1973 with co-producers Roy Thomas Baker and Robin Cable, and engineered by Mike Stone. The album is notable for its combination of a heavy rock sound with an art rock sensibility. It has been called "a pillar of grandiose, assaultive hard rock" by the Rock and Roll Hall of Fame.

Queen II is not a concept album but a collection of songs with a loose theme running throughout. The two sides of the original LP were labelled "Side White" and "Side Black" (instead of the conventional sides "1" and "2"), with corresponding photos of the band dressed in white or in black on either side of the record's label face. The white side has songs with a more emotional theme and the black side is almost entirely about fantasy, often with quite dark themes. Mick Rock's album cover photograph was frequently re-used by the band throughout its career, most notably in the music videos for the songs "Bohemian Rhapsody" (1975), and "One Vision" (1985).

Released to an initially mixed critical reception, Queen II remains one of the band's lesser-known albums. Nonetheless, the album has retained a cult following since its release, has garnered praise from musicians such as Axl Rose, Steve Vai and Billy Corgan, and is significant in being the first album to contain elements of the band's signature sound of multi-layered overdubs, vocal harmonies, and varied musical styles.

Led Zeppelin and The Who are probably in Queen II somewhere, because they were among our favourite groups, but what we are trying to do differently from either of those groups [is] this sort of layered sound. The Who had the open chord guitar sound... but our sound is more based on the overdriven guitar sound.. I also wanted to build up textures behind the main melody lines. We were trying to push studio techniques to a new limit for rock groups – it was fulfilling all our dreams, because we didn't have much opportunity for that on the first album.

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Wikipedia