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Push Barman to Open Old Wounds

Push Barman to Open Old Wounds
Belle & Sebastian - Push Barman to Open Old Wounds.jpg
Compilation album by Belle and Sebastian
Released 24 May 2005
Recorded 1996-2001
Genre Indie pop
Length 107:10
Label Jeepster (UK)
Matador (USA)
Producer Belle and Sebastian and Tony Doogan except where noted
Belle and Sebastian chronology
Dear Catastrophe Waitress
(2003)
Push Barman to Open Old Wounds
(2005)
If You're Feeling Sinister: Live at the Barbican
(2005)
Professional ratings
Aggregate scores
Source Rating
Metacritic 89/100
Review scores
Source Rating
AllMusic 4.5/5 stars
Entertainment Weekly A−
The Irish Times 4/5 stars
Mojo 4/5 stars
NME 8/10
Pitchfork Media 9.2/10
Q 3/5 stars
Rolling Stone 4/5 stars
The Times 4/5 stars
Uncut 4/5 stars

Push Barman to Open Old Wounds is a 2005 two-disc/triple-LP compilation released by Belle and Sebastian. Blender Magazine described the collection as "25 charming tales of shy girls dabbling in photography and bookish boys dabbling in shy girls."

The compilations contains the singles and EPs they released for Jeepster Records:

The track listing features every song on the aforementioned EPs, listed in chronological order.

Push Barman to Open Old Wounds received widespread critical acclaim from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 89, based on 18 reviews, which indicates "universal acclaim".

Scott Plagenhoef of Pitchfork Media gave the album a very favorable review, stating, "The most beloved indie pop band since The Smiths, Belle and Sebastian are also probably the best. This collection would work like their own Hatful of Hollow and Louder Than Bombs were the first half not sadly missing their early BBC Sessions, and the second forced to omit their Dear Catastrophe Waitress singles and Peel Session tracks. As it stands, the first is a testament to the power and pull of one the most singular and instantly lovable pop bands of our time; the second is a gentle suggestion that they took the correct post-mainstream fame steps after all, avoiding self-parody (see: Morrissey) and finding a way to be playful without becoming too precious (see: Lawrence in his post-Felt years). In combination, it's a perfect way into the world of Belle and Sebastian, even if the band spends the second half of the disc trying to redecorate that space."


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