*** Welcome to piglix ***

Public history


Public history is a broad range of activities undertaken by people with some training in the discipline of history who are generally working outside of specialized academic settings. Public history practice is deeply rooted in the areas of historic preservation, archival science, oral history, museum curatorship, and other related fields. The field has become increasingly professionalized in the United States and Canada since the late 1970s. Some of the most common settings for the practice of public history are museums, historic homes and historic sites, parks, battlefields, archives, film and television companies, and all levels of government.

Because it incorporates a wide range of practices and takes place in many different settings, public history proves resistant to being precisely defined. Four key elements often emerge from the discourse of those who identify themselves as public historians:

These elements are expressed in the 1989 mission statement of the U.S.-based National Council on Public History: "To promote the utility of history in social through professional practice.". They are also present in a definition drafted by the NCPH board in 2007, stating, "Public history is a movement, methodology, and approach that promotes the collaborative study and practice of history; its practitioners embrace a mission to make their special insights accessible and useful to the public." However, this draft definition prompted some challenges on the H-Public listserv from people in the field, who raised questions about whether public history is solely an endeavor by professional or trained historians, or if shared historical authority should be a key element of the field. Others have pointed out that the existence of many "publics" for public history complicates the task of definition. For example, historian Peter Novick has questioned whether much of what is termed public history should actually be called private history (for example, the creation of corporate histories or archives) or popular history (for example, research or exhibits conducted outside the norms of the historical discipline). Cathy Stanton has also identified a more radical element in North American public history but has asked: 'how much room is there for the progressive component in the public history movement?' Hilda Kean and Paul Ashton have also discussed the differences in public history in Britain, Australia, New Zealand and the U.S., arguing against 'a rigid demarcation between "historians" and "their publics"'. A 2008 survey of almost 4,000 practitioners predominantly in the U.S. showed that a substantial proportion (almost one quarter of respondents) expressed some reservations about the term and whether it applied to their own work.


...
Wikipedia

...