Prince Gomolvilas
| Prince Gomolvilas | |
|---|---|
| Born |
August 28, 1972 Indianapolis, Indiana, USA |
| Occupation | Writer, playwright |
| Nationality | United States |
Prince Gomolvilas (born August 28, 1972) is a Thai American playwright. He has written many plays which have been produced in the United States and won several distinctive awards, including a PEN Center USA West Literary Award for Drama.
He was born in Indianapolis, Indiana, the son of Thai-born parents. His family moved to California when he was age seven and he spent most of his youth in Monrovia. He attended San Francisco State University and received a BA in film and screenwriting and an MFA in creative writing and playwriting.
In 1992, while living in San Francisco, Gomolvilas began writing plays. His plays include Big Hunk o' Burnin' Love (1998), The Theory of Everything (2000), winner of the Beverly Hills Theatre Guild/Julie Harris Playwright Award, the International Herald Tribune/SRT Playwriting Award, and the PEN Center USA West Literary Award for Drama, Bee (2001), and the stage adaptation of Mysterious Skin (2003), which is based on the novel by Scott Heim.
In collaboration with musician Brandon Patton, Gomolvilas wrote Jukebox Stories, in which he also performs in. A self-described "storytelling/song-singing/bingo-playing theatrical extravaganza," the three, different full-length shows ran in 2006 as Jukebox Stories, in 2008 as Jukebox Stories: The Case of The Creamy Foam and in 2013 as Jukebox Stories: The Secrets of Forking. The initial runs of the shows were at the Impact Theater in Berkeley, California but eventually expanded to a wide array of venues including other theaters, coffee shops, bars, colleges, comedy clubs, music venues and more in Boston, Los Angeles, Middletown (CT), Minneapolis, New York, Philadelphia, Smithfield (RI), and Washington (DC), as well as the National Asian American Theater Festival. The show received strong reviews in the East Bay Express and the San Francisco Chronicle, was also an "Editor's Pick" in Theatre Bay Area magazine.
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