Pride | |
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Theatrical release poster
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Directed by | Matthew Warchus |
Produced by | David Livingstone |
Written by | Stephen Beresford |
Starring | |
Music by | Christopher Nightingale |
Cinematography | Tat Radcliffe |
Edited by | Melanie Oliver |
Production
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Distributed by | Pathé |
Release date
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Running time
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120 minutes |
Country |
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Language | English |
Box office | $16.7 million |
Pride Music From and Inspired by The Motion Picture |
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Soundtrack album by Various artists | |
Released | 15 September 2014 |
Length | 153:09 |
Label | Universal Music |
Producer | Christopher Nightingale |
Pride is a 2014 British LGBT-related historical comedy-drama film written by Stephen Beresford and directed by Matthew Warchus. It was screened as part of the Directors' Fortnight section of the 2014 Cannes Film Festival, where it won the Queer Palm award. Writer Stephen Beresford said a stage musical adaptation involving director Matthew Warchus is being planned.
The film was nominated for the Golden Globe Award for Best Motion Picture – Musical or Comedy and for the BAFTA for Best British Film, Best Actress in a Supporting Role for Imelda Staunton and for Outstanding Debut by a British Writer, Director or Producer.
Based on a true story, the film depicts a group of lesbian and gay activists who raised money to help families affected by the British miners' strike in 1984, at the outset of what would become the Lesbians and Gays Support the Miners campaign. The alliance was unlike any seen before and was ultimately successful.
Gay activist Mark Ashton watches the news about the Miners Strike, before setting off to join the Gay Pride Parade in London. Joe Cooper, a 20-year old student from Bromley who is exploring his own homosexuality, goes off to watch the Gay Pride Parade, but before he knows it, he is involved with the small group of Gay and Lesbian activists led by Mark. The group plan their protests and actions from Gay's the Word, a bookstore, run by gay couple Gethin and Jonathan. Mark explains that the gay community is not harassed as much by the police the last days, because the police have found a new target: every day, the miners clash with the police violently, and many minors are arrested and beaten up. And just like the gay community, they are treated with hostility from the public and the government, and the subject of a smear campaign by the tabloid newspapers. Mark announces the forming of the "Lesbians and Gays Support the Miners" to help raise money. Many activists however refuse to join because of past experiences with discrimination and aggression from miners against the gay community. The LGSM thus consists of "six gays and a dyke" who start raising money immediately; Joe will be their official photographer. Their actions prove a success.