Polish folk music

Artists from Poland, including famous composers like Frédéric Chopin or Witold Lutosławski and traditional, regionalised folk musicians, create a lively and diverse music scene, which even recognises its own music genres, such as poezja śpiewana (sung poetry).

The origin of Polish music can be traced as far back as the 13th century, from which manuscripts have been found in Stary Sącz, containing polyphonic compositions related to the Parisian Notre Dame School. Other early compositions, such as the melody of Bogurodzica, may also date back to this period. The first known notable composer, however, Mikołaj z Radomia, lived in the 15th century.

During the 16th century, mostly two musical groups—both based in Kraków and belonging to the King and Archbishop of Wawel—led the rapid innovation of Polish music. Composers writing during this period include Wacław z Szamotuł, Mikołaj Zieleński, and Mikołaj Gomółka, who composed "Melodies to Polish Psalter". Diomedes Cato, a native-born Italian who lived in Kraków from about the age of five, became one of the most famous lutenists at the court of Sigismund III, and not only imported some of the musical styles from southern Europe, but blended them with native folk music.

In the last years of the 16th century and the first part of the 17th century, a number of Italian musicians were guests at the royal courts of Sigismund III Vasa and Władysław IV. These included Luca Marenzio, Giovanni Francesco Anerio, and Marco Scacchi. Polish composers from this period focused on baroque religious music, concertos for voices, instruments, and basso continuo, a tradition that continued into the 18th century. The best-remembered composer of this period is Adam Jarzębski, known for his instrumental works such as Chromatica, Tamburetta, Sentinella, Bentrovata, and Nova Casa. Other composers include Grzegorz Gerwazy Gorczycki, Franciszek Lilius, Bartłomiej Pękiel, Stanisław Sylwester Szarzyński and Marcin Mielczewski.

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Wikipedia