Pitfall (1962 film)
| Pitfall | |
|---|---|
 |
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| Directed by | Hiroshi Teshigahara |
| Produced by | Tadashi Ono |
| Screenplay by | Kōbō Abe |
| Based on |
Rengoku by Kōbō Abe |
| Starring | |
| Music by | |
| Cinematography | Hiroshi Segawa |
| Edited by | Fusako Shuzui |
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Production
company |
Teshigahara Production
|
| Distributed by | Japan Art Theatre Guild |
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Release date
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Running time
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97 minutes |
| Country | Japan |
Pitfall (おとし穴 Otoshiana?), a.k.a. The Pitfall and Kashi To Kodomo, is a 1962 Japanese film directed by Hiroshi Teshigahara, written by Kōbō Abe, with music by Toru Takemitsu. It was Teshigahara's first feature, and the first of his four film collaborations with Abe and Takemitsu, the others being Woman in the Dunes, The Face of Another and The Ruined Map. Unlike the others, which are based on novels by Abe, Pitfall was originally a television play called Purgatory (Rengoku). The film has been included in The Criterion Collection.
Pitfall is set against the background of labour relations in the Japanese mining industry, but the film owes as much to surrealism as it does to "socially aware" drama. The mine in the film is divided into two pits, the old one and the new one, each represented by a different trade union faction. A mysterious man in white, whose identity we never learn, murders an unemployed miner who bears an uncanny resemblance to the union leader at the old pit and bribes the only witness to frame the union leader of the new pit. The two union leaders go to the murder scene to investigate only to come across the body of the witness, who has subsequently been killed by the man in white. They blame one another and begin a fight which ends in both their deaths. The film ends with the man in white observing them before riding off on his motorcycle, satisfied his mission is complete. Beyond this realistic plot, Pitfall shows us the realm of the dead as well as the living, as the ghosts of the victims look on, powerless to intervene in events and bring the truth to light.
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