Pierre Cuypers
| Petrus Josephus Hubertus Cuypers | |
|---|---|
Pierre Cuypers
|
|
| Born |
16 May 1827 Roermond, Netherlands |
| Died | 3 March 1921 (aged 93) Roermond, Netherlands |
| Nationality | Dutch |
| Occupation | Architect |
| Awards | Royal Gold Medal (1897) |
| Buildings |
Rijksmuseum Amsterdam Amsterdam Central Station |
Petrus Josephus Hubertus (Pierre) Cuypers (16 May 1827 – 3 March 1921) was a Dutch architect. His name is most frequently associated with the Amsterdam Central Station (1881–1889) and the Rijksmuseum (1876–1885), both in Amsterdam. More representative for his oeuvre, however, are numerous churches, of which he designed more than 100. Moreover, he restored a large number of monuments.
Cuypers was born in Roermond, the son of a church painter, and grew up in surroundings in which interest for art was encouraged. After he studied at the urban college in Roermond, he moved to Antwerp in 1844 to study architecture at the Royal art academy. He was taught by Frans Andries Durlet, Frans Stoop and Ferdinand Berckmans, all pioneers of the neo-Gothic architecture in Belgium. Cuypers was a good student; in 1849, he gained the Prix d'Excellence of the academy.
From 1875 he led the restoration of the eastern front of the Mainz Cathedral, which he executed according to his own plans in Romanesque style. In doing so, he created as an opposite pole to the western tower group the high, gothic likely eastern tower helmet, replacing a bell floor and the Moller iron cupola. After a tour in the German Rheinland, he returned to Roermond, where he was appointed a town architect in 1851. In 1852, he opened a workshop where ecclesiastical art was manufactured.
Cuypers' ecclesiastical work was initially strongly influenced by 13th century French architecture and by the writings of his friends Eugene Viollet-le-Duc and J. A. Alberdingk Thijm. Cuypers built a large number of churches all across the Netherlands, in which the French influence played a prominent role. Highlights from these first period are the Lambert's Church in Veghel and the Catharina's Church in Eindhoven, among others. From 1870 onwards Cuypers' style became more influenced by the native Gothic styles of the Netherlands as well as Gothic styles from other countries like Norway and Italy. He also experimented with centralizing ground-plans and other non-conventional layouts. In this second part of his career he built some of his best work. After 1883 he was assisted by his son Joseph Cuypers in much of his work.
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