Pierre Bonnard

Pierre Bonnard
Portrait photograph of Pierre Bonnard, c.1899, Musée d'Orsay
Born	(1867-10-03)3 October 1867 Fontenay-aux-Roses, Hauts-de-Seine, France
Died	23 January 1947(1947-01-23) (aged 79) La Route de Serra Capeou, Le Cannet, French Riviera, France
Nationality	French
Known for	Painter
Notable work	Terrasse à Vernon La femme aux Deux Fauteuils
Movement	Post-Impressionism

Pierre Bonnard (French: [bɔnaʁ]; 3 October 1867 — 23 January 1947) was a French painter and printmaker, as well as a founding member of the Post-Impressionist group of avant-garde painters Les Nabis. Bonnard preferred to work from memory, using drawings as a reference, and his paintings are often characterized by a dreamlike quality. The intimate domestic scenes, for which he is perhaps best known, often include his wife Marthe de Meligny.

Bonnard has been described as "the most thoroughly idiosyncratic of all the great twentieth-century painters", and the unusual vantage points of his compositions rely less on traditional modes of pictorial structure than voluptuous color, poetic allusions and visual wit. Identified as a late practitioner of Impressionism in the early 20th century, Bonnard has since been recognized for his unique use of color and his complex imagery. "It's not just the colors that radiate in a Bonnard", writes Roberta Smith, "there’s also the heat of mixed emotions, rubbed into smoothness, shrouded in chromatic veils and intensified by unexpected spatial conundrums and by elusive, uneasy figures."

Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. He led a happy and carefree youth as the son of a prominent official of the French Ministry of War. He studied classics during his baccalaureate. At the insistence of his father, Bonnard studied law, graduating and briefly practicing as a barrister in 1888. However, he had also attended art classes at Ecole des Beaux-Arts and Académie Julian, and soon decided to become an artist.

His earlier work such as Woman in Checkered Dress (1890) shows the influence of Japanese prints. In 1891, he met Toulouse-Lautrec and began showing his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Édouard Vuillard designed frontispieces. Bonnard's talent was appreciated early in his career, Claude Roger-Marx remarked in 1893 that he "catches fleeting poses, steals unconscious gestures, crystallises the most transient expressions". His first show was at the Galerie Durand-Ruel in 1896.