Piano Concerto (Dvořák)

The Concerto for Piano and Orchestra in G minor, Op. 33, is the only piano concerto by Czech composer Antonín Dvořák. Written in 1876, it was the first of three concertos that Dvořák completed, followed by the Violin Concerto, Op. 53 from 1879 and the Cello Concerto, Op. 104, written in 1894–1895. The piano concerto is probably the least known and least performed of Dvořák's concertos.

As the eminent music critic Harold C. Schonberg put it, Dvořák wrote "an attractive Piano Concerto in G minor with a rather ineffective piano part, a beautiful Violin Concerto in A minor, and a supreme Cello Concerto in B minor".

Dvořák composed his piano concerto from late August through 14 September 1876. Its autograph version contains many corrections, erasures, cuts and additions, the bulk of which were made in the piano part. The work was premiered in Prague on 24 March 1878, with the orchestra of the Prague Provisional Theatre conducted by Adolf Čech with the pianist Karel Slavkovsky.

While working on the concerto, Dvořák himself realized that he had not created a virtuosic piece in which the piano does battle with the orchestra. Dvořák wrote: "I see I am unable to write a Concerto for a virtuoso; I must think of other things." What Dvořák composed instead was a symphonic concerto in which the piano plays a leading part in the orchestra, rather than opposed to it.

In an effort to mitigate awkward passages and expand the pianist's range of sonorities, the Czech pianist and pedagogue Vilém Kurz undertook an extensive re-writing of the solo part; the Kurz revision is frequently performed today.

The concerto was championed for many years by the noted Czech pianist Rudolf Firkušný, who played it with many different conductors and orchestras around the world before his death in 1994. Once a student of Kurz, Firkušný performed the revised solo part for much of his life, turning towards the original Dvořák score later on in his concert career.

In discussing the piano music of Franz Liszt, the pianist Leslie Howard, who has recorded all of it, notes: "... there is nothing in Liszt that is anywhere near as difficult to play as the Dvořák Piano Concerto - a magnificent piece of music, but one of the most ungainly bits of piano writing ever printed".

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