Philip Trajetta

Philip Trajetta (Filippo Traetta) (January 8, 1777 – January 9, 1854) was an Italian-born American composer and music teacher. The son of Italian composer Tommaso Traetta, in 1800 he moved as a political refugee to the United States, where he had a successful musical career as a composer and one of the founders of music conservatories in Boston (1801), New York (1812), and Philadelphia (1828).

Filippo Traetta was born in Venice, Italy, on January 8, 1777. He was the son of opera composer Tommaso Traetta and Elizabeth Sund from Russian Finland. The couple met at St. Petersburg when Tommaso was serving at the invitation of Catherine II of Russia as singing instructor and musical director of the opera there. Upon the death of his father, Filippo was about three years of age, placing Elizabeth in charge of the his education in Venice. He attended a Jesuit school until the age of 13 and then studied with music teachers Fedele Fenaroli and Salvatore Perillo, from whom he learned counterpoint, the art of the fugue and composition. He was next sent to Naples to study with composer Niccolò Piccinni.

In 1799, Traetta was involved in a failed revolution against King Ferdinand IV of Naples. He was arrested for authoring several patriotic, anti-monarchy hymns. He served eight months in prison before he was given a German passport and smuggled into the United States, arriving aboard Mount Vernon, a vessel that belonged to the Derby family of Salem, Massachusetts, on July 3, 1800.

Now known as Philip Trajetta, he settled in Boston, Massachusetts. There he and two partners, François Delochaire Mallet of France and Gottlieb Graupner of Germany, announced in an advertisement in the Boston Gazette on November 24, 1800, the founding of a music academy called the American Conservatorio of Boston. It was the first such institution in the United States and lasted just two years. Two of his orchestral works were performed in Boston in that year, a sinfonia and a violin concerto. There he also wrote some of his early works, including "Washington's Dead March", a patriotic work marking the death of George Washington in December 1799, which remained popular for decades. In the same year he moved to New York, where he completed The Venetian Maskers, which can be described as the first opera composed in the United States, though it was never staged. In the following two decades he divided his time between New York and Charleston.

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