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Petrouchka

Petrushka
Nijinski Petrouchka 3.jpg
Nijinsky as Petrushka
Choreographer Michel Fokine
Music Igor Stravinsky
Libretto Igor Stravinsky
Alexandre Benois
Based on Russian folk material
Premiere 13 June 1911
Théâtre du Châtelet
Paris
Original ballet company Ballets Russes
Characters Petrushka
The Ballerina
The Moor
The Charlatan
Design Alexandre Benois
Setting Admiralty Square
Saint Petersburg
Shrovetide, 1830
Created for Vaslav Nijinsky
Genre Ballet burlesque

Petrushka (French: Pétrouchka; Russian: Петрушка) is a ballet burlesque in four scenes. It was composed in 1910–11 and revised in 1947. Igor Stravinsky composed the music, and, with Alexandre Benois, fashioned the libretto. Michel Fokine choreographed the ballet; Benois designed the sets and costumes. Petrushka was first performed by Sergei Diaghilev's Ballets Russes at the Théâtre du Châtelet in Paris on 13 June 1911. Vaslav Nijinsky portrayed Petrushka with Tamara Karsavina as the Ballerina. Alexander Orlov portrayed the Moor, and Enrico Cecchetti the Charlatan.

Petrushka tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during the 1830 Shrovetide Fair (Maslenitsa) in Saint Petersburg, Russia. Petrushka loves the Ballerina, but she rejects him. She prefers the Moor. Petrushka is angry and hurt, and challenges the Moor. The Moor kills him with his scimitar. Petrushka's ghost rises above the puppet theatre as night falls. He shakes his fist at the Charlatan, then collapses in a second death.

Petrushka brings music, dance, and design together in a unified whole. It is one of the most popular of the Ballets Russes productions. It is usually performed today using the original designs and choreography. Grace Robert wrote in 1946, "Although more than thirty years have elapsed since Petrushka was first performed, its position as one of the greatest ballets remains unassailed. Its perfect fusion of music, choreography, and décor and its theme—the timeless tragedy of the human spirit—unite to make its appeal universal".


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