Petra Hůlová

Petra Hůlová (born in Prague, 12 July 1979) is a Czech writer.

Hůlová holds a degree in culturology from Charles University in Prague. She lived in Mongolia for one year as an exchange student after having studied the language and culture for several years and having originally had her interest sparked by "a chance encounter with the film Urga by acclaimed director Nikita Mikhalkov."

Hůlová rapidly rose to popularity in 2002 with the publication of her début novel Paměť mojí babičce, which became one of the most widely read Czech books of the decade. The novel is told from the point of view of five female narrators from three generations of the same Mongolian family. She chose to set the novel in Mongolia to avoid the necessity of writing about "artificial phenomena" such as career and media, by which she felt Mongolia had been less "polluted" than Europe; this allowed her to focus on writing about the basic feelings of her characters. The novel won a Magnesia Litera Prize as Discovery of the Year, and was voted Book of the Year by the Czech daily Lidové noviny.

Hůlová's second novel, Přes matný sklo, is set in Prague. The book, divided into three sections, offers a portrait of a relationship between a son (Ondřej) and his mother (unnamed). The first and third sections are narrated by the son; the second, by the mother. The "frosted" (or "dusty" or "dim") glass of the title presumably refers to the lack of clarity in the way the son and the mother see one another.

Her stay as a Fulbright scholar in the Department of Anthropology at CUNY in 2004–05 inspired her third novel, Cirkus Les Mémoires, set in New York.

Hůlová's fourth novel, Umělohmotný třípokoj, narrated by a 30-year-old Prague call girl with a high-class clientele, won the Jiří Orten Prize, awarded each year to the author of a work of Czech prose or poetry. The author must be 30 or under at the time the work is finished, and the award carries a prize of 50,000 Kč (roughly $3,000). A stage adaptation by Viktorie Čermáková opened in Prague in 2007. Čermáková chose to attribute the text to five call girls and one narrator.

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