Petr Kotik

Petr Kotik (surname originally Kotík) (born January 27, 1942, in Prague) is a composer, conductor and flutist living in New York City. He was educated in Europe (Prague Conservatory, graduated 1961; Vienna Music Academy, graduated 1966; AMU Prague, graduated 1969). From 1960 to 1963, Kotik studied composition privately with Jan Rychlík in Prague, and from 1963 to 1966 at the Music Academy in Vienna with Karl Schieske, Hans Jelinek, and Friedrich Cerha. In Prague, he founded and directed Musica Viva Pragensis (1961–64) and the QUAX Ensemble (1966–69). He came to the United States in 1969 at the invitation of Lukas Foss and Lejaren Hiller to join the Center for Creative and Performing Arts at the University at Buffalo.

Since 1983, Kotik has been living in New York City. Kotik is the founder and Artistic Director of the S.E.M. Ensemble, based in New York City, which presents both chamber and orchestra concerts. Kotik has received numerous commissions and composition grants, from the National Endowment for the Arts. Kotik received a 1996 Foundation for Contemporary Arts Grants to Artists Award. He is also known for his realization of the complete musical works of Marcel Duchamp.

With the S.E.M. Ensemble (which he founded in 1970), Kotik has for many years actively promoted the work of other (mostly American) composers sharing a stylistic affinity with his own work, giving frequent performances as conductor and performer with the group as well as its larger version, the Orchestra of the S.E.M. Ensemble.

Kotik's music is composed in the minimal vein, with works often being of long duration and featuring slow tempi and quiet dynamics. Though his works feature innumerable gradual, slight changes, giving them a seemingly static quality, his harmonies, however, are more complex than those employed by many other American minimal composers, and his musical process is not as apparent to the listener as, for example, in the works of Steve Reich or Philip Glass. Further, Kotik does not draw as heavily on jazz or rock in his works as do many of his American colleagues (though, like Steve Reich, he is quite interested in Medieval music and often integrates Medieval compositional techniques into his works). These qualities set Kotik's music apart from American minimal trends, giving his music a decidedly European character more similar in outlook to, for example, that of Hungarian minimalists such as Zoltán Jeney, László Sáry, or László Vidovszky.

...
Wikipedia