Peter Max | |
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Born |
Peter Max Finkelstein October 19, 1937 Berlin, Germany |
Nationality | American (United States) |
Education | Art Students League of New York |
Known for | Painting, pop art |
Movement | Pop art |
Peter Max (born Peter Max Finkelstein, October 19, 1937) is an American artist known for using bright colors in his work. Max synthesized the "Summer of Love" into artworks from canvas to mugs, clocks, scarves, clothes, and cruise ships. A master of Pop Art, he is the official portrait artist for the Statue of Liberty and welcome banners at the U.S. Ports of Entry.
His work is an indispensable guide for cultural literacy of the 1960s, and his work commands a large following worldwide and is consistently collected by the art world.
In 1938, Max's parents fled Berlin, Germany, his place of birth, to escape the fomenting Nazi movement, settling in Shanghai, China, where they lived for the next ten years. In 1948, the family moved to Haifa, Israel where they lived for several years. From Israel, the family continued moving westward and stopped in Paris for several months—an experience that Max said greatly influenced his appreciation for art.
Max and his parents first settled in Bensonhurst, Brooklyn in 1953 where he attended Lafayette High School (New York City), where he was classmates with future actor Paul Sorvino. In 1956, Max began his formal art training at the Art Students League of New York in Manhattan, studying anatomy, figure drawing and composition under Frank J. Reilly who had studied at the League alongside Norman Rockwell.
In 1962, Max started a small Manhattan arts studio known as "The Daly & Max Studio," with friend Tom Daly. Daly and Max were joined by friend and mentor Don Rubbo, and the three worked as a group on books and advertising for which they received industry recognition. Much of their work incorporated antique photographic images as elements of collage. Max's interest in astronomy contributed to his self described "Cosmic '60s" period, which featured what became identified as psychedelic, counter culture imagery. Max's art was popularized nationally through TV commercials such as his 1968 "un cola" ad for the soft drink 7-Up which helped drive sales of his art posters and other merchandise.