Peter Grippe
| Peter Grippe | |
|---|---|
| Born |
August 11, 1912 Buffalo, New York |
| Died | November 18, 2002 (aged 90) Suffolk, New York |
| Nationality | American |
| Occupation | sculptor, painter, printmaker, artist |
Peter Grippe (August 11, 1912 – October 18, 2002) was an American sculptor, printmaker, and painter. As a sculptor, he worked in bronze, terracotta, wire, plaster, and found objects. His "Monument to Hiroshima" series (1963) used found objects cast in bronze sculptures to evoke the chaotic humanity of the Japanese city after its incineration by atomic bomb. Other Grippe Surrealist sculptural works address less warlike themes, including that of city life. However, his expertise extended beyond sculpture to ink drawings, watercolor painting, and printmaking (intaglio). He joined and later directed Atelier 17, the intaglio studio founded in London and moved to New York at the beginning of World War II by its founder, Stanley William Hayter. Today, Grippe's 21 Etchings and Poems, a part of the permanent collection at the Davis Museum and Cultural Center at Wellesley College in Wellesley, Massachusetts, is available as part of the museum's virtual collection.
Grippe, a member of the American Abstract Artists group, was born on August 11, 1912, in Buffalo, New York, and died on October 18, 2002, in Suffolk, New York. While primarily known as a sculptor working in bronze and clay, he created a portfolio of etchings by 21 artists (examples include Willem de Kooning, Jacques Lipchitz, and Peter Grippe himself) and 21 poets (including Frank O'Hara, Dylan Thomas, and Thomas Merton) in a work entitled 21 Etchings and Poems. The collective work took three years to print and was published by New York's Morris Gallery in 1960.
Grippe was educated at the Albright-Knox Art School (today the Buffalo Fine Arts Academy) and the Art Institute of Buffalo. He moved to New York in the 1930s, and his work reflects a move into the Cubist and Surrealist schools. According to Bob Mattison, Marshall R. Metzgar Professor of Art History at Lafayette College, Easton, Pennsylvania, “Moving away from simply realist depictions in public monuments, Grippe and his colleagues embraced Cubism with its openwork multidimensional view of the world and Surrealist imagery drawn from the subconscious thus bringing American sculpture into the modern era.” As Grippe's artistic and academic career progressed, he taught at several higher education institutions, including Brandeis University, where he was named the first professor of sculpture. He was awarded a Guggenheim Fellowship in the category of fine arts in 1964.
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