Paula West
| Paula West | |
|---|---|
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| Background information | |
| Birth name | unknown |
| Born | 1959 |
| Origin | San Diego, California, United States |
| Genres | Vocal jazz, Cabaret |
| Years active | 1989–present |
Paula West is an American jazz and cabaret singer known for her rich, powerful contralto voice and for her sensitive interpretations of an extraordinarily eclectic selection of songs ranging far beyond jazz standards and cabaret chestnuts.
West was born on April 4, 1959, and raised in the San Diego, California area, the daughter of a Marine Corps family. As a child she wasn't exposed to very much jazz music, as her father preferred classical music. She only started to explore jazz and jazz vocal music during college; these explorations became more serious and focussed when she moved to San Francisco after graduating from college. She has also been at some pains in the past to note that "I never sang in church".
She arrived in San Francisco around 1988-89 and worked as a waitress (indeed, she held one job or another waiting tables for many years until her singing career was well established). During this time, she gradually started to appear at open mike jam sessions, during the course of which she met pianist Ken Muir, who would eventually become her long-time accompanist. She also undertook a program of serious vocal study while continuing to appear at local lounges.
As word spread through the Bay Area, West started to get one- and two-week residencies at San Francisco hotel lounges, most notably the Ritz-Carlton. During this period she started to refine the distinctive elements of her approach to the expectations placed upon jazz singer/cabaret performers: a careful attention to the lyrics of the songs ("I sing the verses," she was once quoted, "not just the chorus." ), an ability to sustain notes without use of vibrato, a sparing reliance on the hoary chestnuts of the genre, a willingness to re-imagine the standards that she does perform, and an eagerness to identify worthy songs not usually found within the jazz/cabaret repertoire.
As an illustration of the last point, she has performed or recorded such non-standard songs as Bob Dylan's "Subterranean Homesick Blues" and "Mr. Tambourine Man", "If I Only Had A Brain" from The Wizard of Oz, The Beatles' "Fixin' A Hole", Ella Mae Morse's "Cow Cow Boogie", "Who Will Buy" from Oliver!, Bert Williams' turn of the (20th) century classic "Nobody", and Johnny Cash's "Folsom Prison Blues", as well as "Danny Boy", to name but a few.
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