Patricio Manns | |
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Birth name | Patricio Manns |
Born | August 3, 1937 |
Origin | Nacimiento, Chile |
Genres | Folk, Latin music, world |
Occupation(s) | Singer, composer, poet, novelist, playwright, essayist, journalist, social activist |
Instruments | Vocals, Spanish guitar |
Years active | 1959 - present |
Labels | CBS, Philips, Alerce Chant du Monde |
Associated acts |
Violeta Parra, Quilapayún, Inti-illimani, Víctor Jara, Ángel Parra, Horacio Salinas, Isabel Parra, Sergio Ortega, Pablo Neruda, Francisco Coloane |
Website | [2] |
Patricio Manns (born August 3, 1937) is a Chilean composer, author, poet, novelist, essayist, play writer and journalist.
Patricio Manns was born in the rural town of Nacimiento, in the south of Chile on 3 August 1937. He is the son of a primary school teacher of French descent and an agricultural engineer of German descent. Both of his parents played the piano: his father was a jazz aficionado but his mother studied classical piano. His mother was also central in cultivating his interest in literature. In his youth he took up a broad range of occupations: from coal miner in Lota to reporter for the daily newspaper La patria in Concepción. At the beginning of the 1963s he moved to Santiago where he continued his journalistic work.
He was initiated in the field of music when he composed Bandido in 1959, which was recorded in Argentina in 1962 by the folk group Los Travadores del Norte and in Chile by Los Cuatro Cuartos. But it was with the composition Arriba en la cordillera (Up in the Cordillera) in 1965 that he achieved national fame – especially when it was released in the album, Entre Mar y Cordillera (Between Sea and Cordillera) in 1966 which was a massive success.
Manns was a founding member (1965) of the New Chilean Song, with Rolando Alarcón and the Parras (the children of Violeta Parra: Isabel and Ángel Parra) and of the Peña of Carmen 340 (later known as the Peña of the Parras), Víctor Jara joined the Peña and the movement a few months later. Nueva Canción Chilena (New Chilean Song) movement – for some a folkloric renaissance which led to a revolution in the popular music of the country. At the time of the 1973 Chilean coup d'état - which toppled the democratically elected socialist government of Salvador Allende - the Nueva Canción Chilena had acquired a nationwide mass following with Nueva Canción Chilena artists touring the world as cultural ambassadors.