Parsifal

Parsifal
by Richard Wagner
Amalie Materna, Emil Scaria and Hermann Winkelmann in the first production of the Bühnenweihfestspiel at the Bayreuth Festival
Librettist	Richard Wagner
Based on	Parzival by Wolfram von Eschenbach
Premiere	26 July 1882 (1882-07-26) Bayreuth Festspielhaus

Parsifal (WWV 111) is an opera in three acts by Richard Wagner. It is loosely based on Parzival by Wolfram von Eschenbach, a 13th-century epic poem of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail (12th century).

Wagner first conceived the work in April 1857 but did not finish it until twenty-five years later. It was Wagner's last completed opera and in composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. Parsifal was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on Parsifal productions until 1903, when the opera was performed at the Metropolitan Opera in New York.

Wagner described Parsifal not as an opera, but as "Ein Bühnenweihfestspiel" ("A Festival Play for the Consecration of the Stage"). At Bayreuth a tradition has arisen that there be no applause after the first act of the opera.

Wagner's spelling of Parsifal instead of the Parzival he had used up to 1877 is informed by an erroneous etymology of the name Percival deriving it from a supposedly Persian origin, Fal Parsi meaning "pure fool".

Wagner first read von Eschenbach's poem Parzival while taking the waters at Marienbad in 1845. After encountering Arthur Schopenhauer's writings in 1854, Wagner became interested in oriental philosophies, especially Buddhism. Out of this interest came Die Sieger (The Victors, 1856) a sketch Wagner wrote for an opera based on a story from the life of Buddha. The themes which were later explored in Parsifal of self-renouncing, reincarnation, compassion, and even exclusive social groups (castes in Die Sieger, the Knights of the Grail in Parsifal) were first introduced in Die Sieger.