Papa was a Rolling Stone
| "Papa Was a Rollin' Stone" | |
|---|---|
| Single by The Undisputed Truth | |
| Released | Early 1972 |
| Recorded | 1971 |
| "Papa Was a Rollin' Stone" | ||||
|---|---|---|---|---|
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| Single by The Temptations | ||||
| from the album All Directions | ||||
| Released | September 28, 1972 | |||
| Format | 7" single | |||
| Recorded |
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| Genre | Psychedelic soul | |||
| Length |
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| Label | Gordy G 7121 | |||
| Songwriter(s) | ||||
| Producer(s) | Norman Whitfield | |||
| The Temptations singles chronology | ||||
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| "Papa Was a Rollin' Stone '87" | |
|---|---|
| Single by The Temptations | |
| A-side | "Papa Was a Rollin' Stone '87" |
| Released | 1987 |
| Format | |
| Genre | Soul |
| Label | Motown |
| Songwriter(s) | |
"Papa Was a Rollin' Stone" is a psychedelic soul song, written by Motown songwriters Norman Whitfield and Barrett Strong as a single for Motown act The Undisputed Truth in 1971. This version of "Papa" was released as a single in early 1972 and peaked at #63 on the Pop Charts and #24 on the R&B Charts, and was included on The Undisputed Truth's 1973 album Law of the Land.
Later that year, Whitfield, who also produced the song, took "Papa Was a Rollin' Stone" and remade it as a 12-minute record for The Temptations, which was a number-one hit on the Billboard Hot 100 and won three Grammy Awards in 1973. While the original Undisputed Truth version of the song has been largely forgotten, The Temptations' version of the song has been an enduring and influential soul classic. It was ranked number 168 on Rolling Stone's list of the 500 Greatest Songs of All Time, one of the group's three songs on the list. In retrospect, The Temptations' Otis Williams considers "Papa" to be the last real classic the group recorded (it would be the Temptations' last number one hit and would win them their second and final Grammy Award in a competitive category).
Beginning with an extended instrumental introduction (3:53 in length), each of the song's three verses is separated by extended musical passages, in which Whitfield brings various instrumental textures in and out of the mix. A solo plucked bass guitar part, backed by hi-hat cymbals drumming, establishes the musical theme, a simple three-note figure; the bass is gradually joined by other instruments, including a blues guitar, wah-wah guitar, Wurlitzer Electric Piano notes, handclaps, horns, and strings; all are tied together by the ever-present bass guitar line and repeating hi-hat rhythm. A very unusual thing about this song is that it uses only one chord throughout — B-flat minor.
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Wikipedia