Panoramic format

A panorama (formed from Greek πᾶν "all" + ὅραμα "sight") is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images or a three-dimensional model. The word was originally coined in the 18th century by the English (Irish descent) painter Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term panning is derived from panorama.

A panoramic view is also purposed for multi-media, cross-scale applications to an outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces used to capture the larger scale.

The device of the panorama existed in painting, particularly in murals, as early as 20 A.D., in those found in Pompeii, as a means of generating an immersive 'panoptic' experience of a .

Cartographic experiments during the Enlightenment era preceded European panorama painting and contributed to a formative impulse toward panoramic vision and depiction.

This novel perspective was quickly conveyed to America by Benjamin Franklin who was present for the first manned balloon flight by the Montgolfier brothers in 1783, and by American born physician, John Jeffries who had joined French aeronaut Jean Pierre Blanchard on flights over England and the first aerial crossing of the English Channel in 1785.

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