Panda and the Magic Serpent
| Panda and the Magic Serpent | |
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Film poster
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| Directed by |
Taiji Yabushita Kazuhiko Okabe |
| Produced by | Hiroshi Ôkawa |
| Written by |
Taiji Yabushita Shin Uehara |
| Starring |
Hisaya Morishige Mariko Miyagi Virginia Blackman Lisa Lu George Matsui Jodie McDowell Miiko Taka Mel Welles |
| Narrated by | Marvin Miller |
| Music by | Chuji Kinoshita |
| Cinematography | Takamitsu Tsukahara |
| Edited by | Shinataro Miyamoto |
| Distributed by | Toei Animation |
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Release date
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Running time
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78 minutes |
| Country | Japan |
| Language | Japanese |
Panda and the Magic Serpent (白蛇伝 Hakujaden?), also known as The Tale of the White Serpent, is the first color anime feature film, released in 1958. It was one of the first three anime films to be released in America, under the title Panda and the Magic Serpent, premiering in 1961, the month after Magic Boy. It is also known variously as Legend of the White Snake, The Great White Snake and The White Snake Enchantress.
The film is essentially an adaptation of the Song Dynasty Chinese folktale "Legend of the White Snake" (白蛇傳).Shin Uehara adapted the folktale and kept the Chinese-style characters and names. The decision of a Chinese story being used as the concept blueprint came from Toei president Hiroshi Ōkawa, who wanted to strike a tone of reconciliation with the Asian neighbors.
Given the point in time, the film pushed Japanese animation technology to the limit. The film was a large scale major project, involving a total of 13,590 staff; surprisingly, it only took eight months to finish. And while the film received honors at the Venice Children's Film Festival in Italy in 1959, it was regarded as a disappointment when released to the United States on March 15, 1961 by Global Pictures. Historically, this film marked Tōei Dōga's first attempt to follow the example of American feature animation studios and become the so-called "Disney of the east."
The US version made changes to the film such as interpreting the small red panda, Mimi, as a cat. In addition, all traces of the Japanese production teams were removed from the credits.
Rintaro, who would later go on to become a well known and respected director of Japanese animation, had his first job in the animation industry (at age 17) as an in-between animator on this film.
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Wikipedia