Palace of Shaki Khans | |
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Azerbaijani: Şəki xanlarının sarayı | |
External view of the Palace
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General information | |
Type | Palace |
Location | Shaki, Azerbaijan |
Construction started | 1789/1790 |
Completed | 1797 |
Renovated | 1848-51, 1955-65, 2002-2004 |
Design and construction | |
Architect | Abbasgulu (presumably) |
The Palace of Shaki Khans (Azerbaijani: Şəki xanlarının sarayı) in Shaki, Azerbaijan was a summer residence of Shaki Khans. It was built in 1797 by Muhammed Hasan Khan.
The Palace of Shaki Khans was nominated for List of World Heritage Sites, UNESCO in 1998 by Gulnara Mehmandarova — president of Azerbaijan Committee of ICOMOS—International Council on Monuments and Sites .
From 1955 to 1965 restoration was carried out in full under the supervision of Niyazi Rzaev. Two talented architects, Kamal Mamedbekov and Nikolai Utsyn, were involved in this work creating measurement and restoration drawings. The restoration workshop was established in the ceremonial hall on the second floor of the palace, and the rooms flanking the hall were used to accommodate the architects. The drawings developed by Mamedbekov and Utsyn formed the basis of the restoration project for the entire palace complex. Execution of the restoration work based on the drawings was entrusted to the artist F. Hajiyev and the shabaka master A. Rasulov.
The last total and complete restoration from 2002 - 2004 supported by the world bank and executed under leading of a German restoration team (Uwe Henschel, Dietrich Wellmer, Elisabeth Wellmer, Andreas Lessmeister) from company "Denkmalpflege Mecklenburg GmbH" (today "Neumühler Bauhütte GmbH").
Along with its pool and plane trees, the summer residence is the only remaining structure from the larger palatial complex inside the Sheki Khans' Fortress, which once included a winter palace, residences for the Khan's family and servants' quarters. It features decorative tiles, fountains and several stained-glass windows. The exterior was decorated with dark blue, turquoise and ochre tiles in geometric patterns and the murals were coloured with tempera and were inspired by the works of Nizami Ganjavi.