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Palace of Iturbide


The Palace of Iturbide (1779 to 1785) is a large palatial residence located in the historic center of Mexico City at Madero Street #17. It was built by the Count of San Mateo Valparaíso as a wedding gift for his daughter. It gained the name “Palace of Iturbide” because Agustín de Iturbide lived there and accepted the crown of the First Mexican Empire (as Agustin I) at the palace after independence from Spain. Today, the restored building houses the Fomento Cultural Banamex; it has been renamed the Palacio de Cultura Banamex.

This residence was constructed by Miguel de Berrio y Saldívar, Count of San Mateo Valparaíso and Marquis of Jaral de Berrio. Berrio y Saldívar’s fortune was based in mining and livestock. He also served as the mayor of Mexico City. He purportedly built the palace in an elaborate way to equal the sum of his daughter’s dowry, approximately 100,000 pesos, in order to stop his new his son-in-law, the Marquis of Moncada of Sicily, from squandering his daughter’s wealth. It was built as a replica of the royal palace of Palermo. This couple’s son, the grandson of the home’s builder, preferred not to live in the palace but offered it for the use of visiting dignitaries, such as viceroy Félix Calleja and later Agustín de Iturbide. From this palace’s balcony, Iturbide accepted the offer to be Mexico’s first emperor after independence from Spain. During his reign (1821–1823), he lived here, using the house as the royal palace.

After the Conquest, the site had been part of land granted by the Spanish Crown to Gonzalo Juárez de Córdoba. Until the 17th century, the site was a convent for the Sisters of Saint Brigit, until they sold the land to Berrio y Saldívar.

This Mexican Baroque building was designed and begun by Francisco Antonio Guerrero y Torres and finished by his brother-in-law Agustín Duran between 1779 and 1785. The building has three floors and a mezzanine, showing Italian influence in its Baroque design. Its façade of tezontle and cantera stone is flanked by two fortified towers at the ends of the façade. It has a central gallery or loggia, which is now closed to the public. The façade is decorated with carved stone that features organic and geometric motifs such as flowers, small double-tailed mermaids and graceful male figures. Inside, the porch has a vaulted roof.


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