Packard Jennings
| Packard Jennings | |
|---|---|
| Born | 1970 Oakland, California |
| Nationality | American |
| Education | MFA New York State College of Ceramics at Alfred, BA San Francisco State University for Sculpture and Animation |
| Known for | Street Art, Conceptual Art, culture jamming, Sculpture, Drawing |
| Awards | Kala Institute Residency and Fellowship, Artist in Residence Sanitary Land Fill Company, Artist in Residence Headlands Center for the Arts, Artist in Residence Montalvo, Artist in Residence Djerassi, Artist in Residence Cite des Arts (Paris). |
Packard Jennings is an American artist (b. 1970) who appropriates pop culture symbols and references to create new meaning using a variety of media including printmaking, sculpture, animation, video, and pamphleteering. In his early career he modified billboards, a common practice of culture jammers. He is affiliated with Catharine Clark Gallery in San Francisco, Charlie James Gallery in Los Angeles, and Analix Forever in Geneva. He is currently working on a new series of emoticons based on the movie "Flashdance." His work is in the collection of di Rosa.
Jennings has made major contributions to the practice of "shopdropping" (a term coined around 2004 to describe the covert placing of art or propaganda into stores). The earliest in 1998 with his Walmart Project, which features 7 art products placed in Walmart Stores which are humorously critical of aspects of their business practice. Other Shopdropped works include: A Day at The Mall (pamphlet), Welcome to Geneva (pamphlet), the Anarchist Action figure, Walgreens Local Business Coupon, and the Pocket Survival Guide.
In 2011, Jennings launched Destructables.org. The site states: "Destructables.org is an advertising free Do It Yourself website for projects of protest and creative dissent. The site features user generated step-by-step video and photo/text based instructions for a wide range of dissenting actions, including (but not limited to): art actions, billboard alterations, shop-dropping, protest strategies, knit-bombing, making protest props, interventions, methods of civil disobedience, stencil work, performative actions, and many other forms of public dissent – from the practical and tactical to the creative and illegal. It is a living archive and resource for the art and activist communities."
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