Out 1

Out 1
British poster
Directed by	Jacques Rivette Suzanne Schiffman (co-director)
Produced by	Stéphane Tchalgadjieff
Written by	Jacques Rivette (scenario) Suzanne Schiffman (scenario) Honoré de Balzac (inspired by)
Starring	Jean-Pierre Léaud Juliet Berto Michele Moretti Michael Lonsdale Bernadette Lafont Bulle Ogier Françoise Fabian Hermine Karagheuz
Music by	Jean-Pierre Drouet
Cinematography	Pierre-William Glenn
Edited by	Nicole Lubtchansky
Distributed by	Sunshine Productions
Release date	October 9, 1971
Running time	773 minutes
Country	France
Language	French

Out 1, also referred to as Out 1: Noli Me Tangere, is a 1971 film directed by Jacques Rivette. It is indebted to Honoré de Balzac's La Comédie humaine, particularly the History of the Thirteen collection (1833–35). Known for its length of nearly 13 hours, the film is divided into eight parts around 90–100 minutes each.

The vast length of Out 1 allows Rivette, like Balzac, to construct multiple loosely connected characters with independent stories whose subplots weave amongst each other and continually uncover new characters with their own subplots. A shorter version of the film exists, and its Spectre subtitle was chosen for the name's ambiguous and various indistinct meanings, while the Noli me tangere ("touch me not") subtitle for the original version is clearly a reference to it being the full-length film as intended by Rivette.

The film's experimentation with parallel subplots was influenced by Andre Cayatte's two-part (1964), while the use of expansive screen time was first toyed with by Rivette in L'amour fou (1969). The parallel narrative structure has since been used in many other notable films, including Krzysztof Kieślowski's Dekalog and Lucas Belvaux's Trilogie, which includes Un couple épatant, Cavale and Après la vie, to name a few. Each part begins with a title in the form of "from person to person" (usually indicating the first and last characters seen in each episode), followed by a handful of black and white still photos recapitulating the scenes of the prior episode, then concluded by showing the final minute or so (in black and white) of the last episode before cutting into the new episode itself (which is entirely in color).