Oubapo (French pronunciation: [ubapo], short for French: Ouvroir de bande dessinée potentielle; roughly translated: "workshop of potential comic book art") is a comics movement which believes in the use of formal constraints to push the boundaries of the medium. OuBaPo is styled after the French literary movement Oulipo (Ouvroir de Littérature Potentielle), founded by Raymond Queneau and Georges Perec. Oubapo was founded in November 1992 in the Ou-X-Po and announced in L'Association's French comics edition.
The term "ouvroir," originally used in conjunction with works of charity, was reused by Queneau for a blend of "ouvroir" and "œuvre" ("work") and roughly corresponds to the English "workshop." The term "potential" is used in the sense of that which is possible, or realisable if one follows certain rules. Thus, "OuBaPo" can be roughly translated as "Potential Comics Workshop."
Some OuBapoian constraints:
By the late 1980s, cartoonist Lewis Trondheim had established a reputation for his various conceptual comics, such as Le dormeur and Psychanalyse, both of which were created entirely with a single photocopied panel. Similarly, Bleu and La nouvelle pornographie were both billed as "abstract comic books." After completing Psychanalyse, Trondheim was challenged by fellow cartoonist Jean-Christophe Menu to write a story with only four panels, drawn by Menu. After some strips, Trondheim asked for four more panels, and wrote the highly dense comic book, Moins d'un quart de seconde pour vivre. The constrained writing results, reminiscent of OuLiPo writers, became the basis for OuBaPo. (During this period, Trondheim, Menu, and a few other cartoonists had also co-founded the publisher L'Association, which later published many of the group's books.)