Osdorp Posse | |
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Origin | Osdorp, Amsterdam, Netherlands |
Genres | Hip hop |
Years active | 1982–2009 |
Labels | Ramp Records |
Members |
Pascal Griffioen (Def P) Robin Bezuijen (Seda) Marco Moolhuizen (IJsblok) Arthur Bezuijen (King) Daan Snouck Hurgronje (Deegmeester Daan) |
The Osdorp Posse, founded in Amsterdam, Netherlands, in 1989, was one of the first groups to make rap music in Dutch. All four members are related to each other. Influenced by gangsta rap, they made a name for themselves by combining the music of hardcore hip hop with Dutch lyrics featuring literal translations of American slang. Initially shunned by the media for their extreme-sounding music and texts and appreciated only in the Dutch underground scene, they achieved commercial success and exerted great influence on the Dutch hip hop scene.
Their debut album Osdorp Stijl was released in 1992, and was characterized by hardcore beats combined with a hardcore message shouted out by a seemingly furious Def P. Subjects criticized in their songs included commercial music ("Commerciële AIDS"), religious fanaticism ("Katholieke trut"), and the joys of drinking beer ("Bier").
In 1993 the album Roffer dan Ooit was released, and in response to the violent subject matter of the lyrics, one radio DJ accused the band of "playing ghetto":
Op deze CD staat bijvoorbeeld ook de Osdorp Posse, he. Een crew die in het Nederlands, het Amsterdams rapt. En zij doen daarop onder andere het nummer "Moordenaar!" Ja, ik denk dat dat niet echt bijdraagt aan het serieus nemen van hip-hop want dat is toch een beetje ghetto'tje spelen.
This CD also contains, for example, the Osdorp Posse. A group that raps in Dutch, actually the Amsterdam dialect. And they also perform the song "Murderer!" Yes, I think that this does not contribute to taking hip-hop seriously, because it is a bit like 'playing ghetto.'
The same year a new album was released, Vlijmscherp, and on this album the group commented about their treatment in the Dutch media. In one of the songs from the album, "Ghetto'tje spelen" ("Playing ghetto"), the aforementioned radio DJ was dissed by Def P.
Due to the explicit nature the group were banned all over the Dutch radio and both public and commercial radio stations refused to air music from Osdorp Posse.
This did not imply the end of Osdorp Posse, but a dramatic change in style and in 1995 Afslag Osdorp was released, which was considered by many as their finest album in which social issues like prostitution, real love, domestic abuse and religion were covered.