Oscar Nemon | |
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Born |
Oscar Neumann 13 March 1906 Osijek, Austro-Hungarian Empire |
Died | 13 April 1985 Oxford, England |
(aged 79)
Known for | Sculpture |
Oscar Nemon (born Oscar Neumann; 13 March 1906 – 13 April 1985) was a Croatian sculptor who was born in Osijek, Croatia, but eventually settled in England. He is best known for his series of more than a dozen public statues of Sir Winston Churchill.
Nemon was born into a close Jewish family in Osijek. He was the second child, and elder son, of Mavro Neumann, a pharmaceutical manufacturer, and his wife, Eugenia Adler. He was an accomplished artist from an early age, and began modelling with clay at a local brickworks. He exhibited early works locally in 1923 and 1924, while still at school. He obtained his baccalaureate in Osijek. He was encouraged by Ivan Meštrović to study in Paris, but he moved to Vienna instead. He applied to join the Akademie der bildenden Künste but failed to secure a place, and spent some time working at his uncle's bronze foundry in Vienna. While in Vienna, he met Sigmund Freud and made a sculpture of Freud's dog Topsy. He also made a sculpture of Princess Marie Bonaparte. Later in his life, Nemon changed his surname from Neumann.
After a short period studying in Paris, he moved to Brussels in 1925 to study at the Académie Royale des Beaux-Arts, where he won a gold medal for his sculpture. Brussels became his home until 1939; he shared a house there with the painter René Magritte for much of the 1930s. He made the monument "June Victims" for his home city of Osijek in 1928, commemorating the murders of Pavle Radić, Đuro Basariček and Stjepan Radić in Belgrade in 1928; all three were Croatian members of the Yugoslav Parliament who were fatally shot in the debating chamber by a Montenegrin Serb, Puniša Račić. Nemon returned to Vienna in 1931, to create a large seated sculpture of Freud, now in Hampstead. He staged a one-man exhibition of portrait heads at the Académie, including his Freud and a bust of Paul-Henri Spaak. He made portraits of King Albert I, Queen Astrid of the Belgians, Emile Vandervelde and August Vermeylen, and also exhibited at the Galerie Monteau in December 1934 and January 1939.