Orléans collection

The Orleans Collection was a very important collection of over 500 paintings formed by Philippe d'Orléans, Duke of Orléans, mostly acquired between about 1700 and his death in 1723. Apart from the great royal-become-national collections of Europe it is arguably the greatest private collection of Western art, especially Italian, ever assembled, and probably the most famous, helped by the fact that most of the collection has been accessible to the public since it was formed, whether in Paris, or subsequently in London, Edinburgh and elsewhere.

The core of the collection was formed by 123 paintings from the collection of Queen Christina of Sweden, which itself had a core assembled from the war booty of the sacks by Swedish troops of Munich in 1632 and Prague in 1648 during the Thirty Years War. After the French Revolution the collection was sold by Louis Philippe d'Orléans, Philippe Égalité, and most of it acquired by an aristocratic English consortium led by Francis Egerton, 3rd Duke of Bridgewater. Much of the collection has been dispersed, but significant groups remain intact, having passed by inheritance. One such group is the Sutherland Loan or Bridgewater Loan, including sixteen works from the Orleans Collection, in the National Gallery of Scotland, and another is at Castle Howard, Yorkshire. There are twenty-five paintings formerly in the collection now in the National Gallery, London, which have arrived there by a number of different routes.

The collection is of central interest for the history of collecting, and of public access to art. It figured in two of the periods when art collections were most subject to disruption and dispersal: the mid-17th century and the period after the French Revolution.

The paintings looted from Prague Castle had mostly been amassed by the obsessive collector Rudolph II, Holy Roman Emperor (1552–1612), whose own bulk purchases had included the famous collection of Emperor Charles V's leading minister Cardinal Granvelle (1517–86), which he had forced Granvelle's nephew and heir to sell to him. Granvelle had been the "greatest private collector of his time, the friend and patron of Titian and Leoni and many other artists", including his protégé Antonis Mor. The Swedes only skimmed the cream of the Habsburg collection, as the works now in Vienna, Madrid and Prague show.

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